Gordon Jacob, Texas All-State 4A Symphonic Band, Frank Wickes made "An Original Suite: III. Finale" available on November 19, 2013. The duration of An Original Suite: III. Finale is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. An Original Suite: III. Finale's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 2004 Texas Music Educators Association (TMEA): All-State 5A Symphonic Band, All-State 5A Concert Band & All-State 4A Symphonic Band, so we believe that "An Original Suite: III. Finale" is a single. Based on our statistics, An Original Suite: III. Finale's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of An Original Suite: III. Finale by Gordon Jacob, Texas All-State 4A Symphonic Band, Frank Wickes is Allegro (fast, quick, and bright), since this song has a tempo of 137 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | B Minor | 0 | 10A | 91 BPM | ||
4 Sketches: I. A Peaceful Piece | Gordon Jacob, Laurence Perkins, Michael Hancock | A Minor | 0 | 8A | 65 BPM | ||
5 Bagatelles for clarinet and piano, Op.23: 3. Carol - Andantino semplice | Gerald Finzi, Emma Johnson, Malcolm Martineau | B♭ Major | 0 | 6B | 173 BPM | ||
Serenade for String Orchestra, Op. 11: I. Preludium: Allegro molto | Dag Wirén, Bournemouth Sinfonietta, Richard Studt | C Major | 1 | 8B | 129 BPM | ||
English Folk Song Suite: I. March (Seventeen Come Sunday) | Ralph Vaughan Williams, North Texas Wind Symphony, Eugene Migliaro | F Minor | 3 | 4A | 120 BPM | ||
Concerto Grosso: Intrada | Ralph Vaughan Williams, New Zealand Symphony Orchestra, James Judd | G Major | 3 | 9B | 78 BPM | ||
Lachrimae Coactae Pavan | John Dowland, Thurston Dart, Thurson Dart, London Philharmonic Orchestra | C Major | 1 | 8B | 153 BPM | ||
English Dances, Set 2, Op. 33: No. 2. Con brio | Malcolm Arnold, Queensland Symphony Orchestra, Andrew Penny | C Major | 4 | 8B | 142 BPM | ||
Variations on a theme by Haydn, Op. 56a "St. Anthony Variations": Finale | Johannes Brahms, Pittsburgh Symphony Orchestra, Marek Janowski | C Major | 1 | 8B | 60 BPM | ||
Southern Harmony: I. The Midnight Cry | Donald Grantham, Ohio State University Wind Symphony, Russel C. Mikkelson | A♭ Major | 2 | 4B | 129 BPM |