"Air from Orchestral Suite No. 3 in D Major, BWV 1068 (Arr. Alexander Siloti)" by Johann Sebastian Bach, KaJeng Wong was released on April 5, 2024. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Air from Orchestral Suite No. 3 in D Major, BWV 1068 (Arr. Alexander Siloti) and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Air from Orchestral Suite No. 3 in D Major, BWV 1068 (Arr. Alexander Siloti) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Air from Orchestral Suite No. 3 in D Major, BWV 1068 (Arr. Alexander Siloti) by Johann Sebastian Bach, KaJeng Wong is Andante (at a walking pace), since this song has a tempo of 101 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
16 Waltzes, Op. 39: 15. Waltz in A Flat | Johannes Brahms, Nelson Freire | A♭ Major | 0 | 4B | 72 BPM | ||
Cello Suite No. 6 in D Major, BWV 1012: VI. Gigue | Johann Sebastian Bach, Yo-Yo Ma | D Major | 1 | 10B | 71 BPM | ||
St. Matthew Passion, BWV 244 / Part One: No. 17 Choral: "Ich will hier bei dir stehen" | Johann Sebastian Bach, Thomanerchor Leipzig, Tölzer Knabenchor, Gewandhausorchester, Riccardo Chailly | E♭ Major | 1 | 5B | 81 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: No. 39 Aria: "Erbarme dich" (Arr. For Oboe d’amore, Violin, Strings And Continuo) | Johann Sebastian Bach, Lisa Batiashvili, François Leleux, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc | D Major | 0 | 10B | 102 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: I. Allegro assai: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 3 | 8B | 114 BPM | ||
Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Jorge Federico Osorio | F♯ Minor | 0 | 11A | 75 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 132 BPM | ||
12 Violin Concertos, Op. 8 "Il cimento dell'armonia e dell'inventione" / Concerto No. 2 in G Minor for solo violin, RV315 "L'Estate": 2. Adagio - Presto | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Maarten Jansen, Stacey Watton, Liz Kenny, Jan Jansen | A♭ Major | 0 | 4B | 102 BPM | ||
Sonata in A Minor, L 241 | Domenico Scarlatti, Vladimir Horowitz | E Minor | 0 | 9A | 79 BPM |