"Eight Part-songs, Op. 119: The Bluebird" by Charles Villiers Stanford, Choir of New College, Oxford, Edward Higginbottom was released on January 1, 2000. The duration of Eight Part-songs, Op. 119: The Bluebird is about 3 minutes long, at 3:22. Based on our data, "Eight Part-songs, Op. 119: The Bluebird" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 20 in Bluebird - Music Of Contemplation by Choir of New College, Oxford, Edward Higginbottom. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Eight Part-songs, Op. 119: The Bluebird is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Eight Part-songs, Op. 119: The Bluebird by Charles Villiers Stanford, Choir of New College, Oxford, Edward Higginbottom is Vivace (lively and fast), since this song has a tempo of 176 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trois chansons de Bilitis, L. 90: No. 1, La flûte de Pan | Claude Debussy, Anne Sofie von Otter, Bengt Forsberg | F♯ Major | 0 | 2B | 85 BPM | ||
The Music Makers, Op. 69: II. We Are the music makers | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | B♭ Minor | 0 | 3A | 79 BPM | ||
Requiem: No. 4, Tractus. Sicut cervus desiderat | Johannes Ockeghem, Choir of New College, Oxford, Robert Quinney | C Major | 0 | 8B | 110 BPM | ||
The Creation, Hob.XXI:2 / Pt. 1 - Scene 1: Now Vanish Before The Holy Beams... Despairing... Rage | Franz Joseph Haydn, Anthony Rolfe Johnson, Choir of New College, Oxford, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 93 BPM | ||
and the swallow | Caroline Shaw, Ars Nova Copenhagen, Paul Hillier | B♭ Minor | 1 | 3A | 116 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" | Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen | D Major | 0 | 10B | 77 BPM | ||
Albinoni / Giazotto : The Beatitudes (Adagio) | Tomaso Albinoni, Edward Higginbottom, Capricorn, Choir of New College, Oxford | C Minor | 2 | 5A | 95 BPM | ||
The House of Life: Silent Noon | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | E♭ Major | 0 | 5B | 169 BPM | ||
Carmina Burana / 3. Cour d'amours: "In trutina" | Carl Orff, Barbara Bonney, Wiener Philharmoniker, André Previn | B♭ Major | 2 | 6B | 137 BPM | ||
Requiem in D Minor, Op. 48: In Paradisum | Gabriel Fauré, Seiji Ozawa | D Major | 1 | 10B | 171 BPM |