"Troisième livre de pièces de clavecin: 15ème ordre, Muséte de taverni - Adapted by Marina Baranova" by François Couperin, Marina Baranova was released on August 26, 2016. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Marina Baranova's "Hypersuites" album is number 5 out of 20. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Troisième livre de pièces de clavecin: 15ème ordre, Muséte de taverni - Adapted by Marina Baranova is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Troisième livre de pièces de clavecin: 15ème ordre, Muséte de taverni - Adapted by Marina Baranova by François Couperin, Marina Baranova to be Andante (at a walking pace) because the track has a tempo of 98 テンポ, a half-time of 49テンポ, and a double-time of 196 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Orgel-Büchlein (Excerpts Arr. J. & T. Steenbrink for Chamber Ensemble): No. 19, Herr Gott, nun schleuß den Himmel auf, BWV 617 | Johann Sebastian Bach, Holland Baroque | F Major | 1 | 7B | 119 BPM | ||
8 Pieces, Op. 99: No. 5: Couplet | Jean Sibelius, Håvard Gimse | E Major | 1 | 12B | 83 BPM | ||
Sonate Op. 64: III. Adagio | Mel Bonis, Juliette Hurel, Hélène Couvert | D♭ Major | 0 | 3B | 90 BPM | ||
Iberia, T. 105, Book 2: III. Triana | Isaac Albéniz, Peter Donohoe | F♯ Major | 0 | 2B | 66 BPM | ||
Melodie | Alessandra Ammara, Robert Schumann, N/A | C Major | 0 | 8B | 68 BPM | ||
10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Alexander Romanovsky | G Minor | 2 | 6A | 121 BPM | ||
Lavignac: Galop-marche à huit mains (Arr. Lemoine for Piano 4-Hands) | Albert Lavignac, Alexandre Tharaud, Frank Braley | D Minor | 1 | 7A | 90 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 5 in F Major: No. 3, Sarabande | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | F Minor | 0 | 4A | 101 BPM | ||
The Danserye (Transcr. for Piano by Florian Noack): I. Pour Quoy | Tylman Susato, Florian Noack | D Minor | 1 | 7A | 133 BPM | ||
33 Miniatures for Piano (Excerpts): No. 30, Dolcissimo | Giya Kancheli, Elisaveta Blumina | E Minor | 0 | 9A | 73 BPM |