Giacomo Puccini, Ying Huang, James Conlon's 'Madame Butterfly: Coro a bocca chiusa (Humming Chorus). (Coro)' came out on November 20, 1995. The duration of Madame Butterfly: Coro a bocca chiusa (Humming Chorus). (Coro) is about 3 minutes long, at 3:03. Based on our data, "Madame Butterfly: Coro a bocca chiusa (Humming Chorus). (Coro)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 32 in the song's album "Puccini: Madame Butterfly (Soundtrack from the film by Frédéric Mitterand)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Madame Butterfly: Coro a bocca chiusa (Humming Chorus). (Coro) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Madame Butterfly: Coro a bocca chiusa (Humming Chorus). (Coro) by Giacomo Puccini, Ying Huang, James Conlon having a テンポ of 62 with a half-time of 31 テンポ and a double-time of 124 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valse triste, Op. 44, No. 1 (From "Kuolema") | Jean Sibelius, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | D♭ Major | 1 | 3B | 60 BPM | ||
Tosca, Act III: Vissi d’arte | Giacomo Puccini, Luigi Illica, Giuseppe Giacosa, Marina Rebeka, Marco Boemi, Wrocław Opera Orchestra | E Major | 2 | 12B | 88 BPM | ||
La Bohème / Act 4: "Che ha detto il medico?" - Live | Giacomo Puccini, Nicole Cabell, Rolando Villazón, Boaz Daniel, Stéphane Degout, Vitalij Kowaljow, Bavarian Radio Symphony Orchestra, Bertrand de Billy | A Major | 0 | 11B | 78 BPM | ||
Lakmé: Sous le dome épais (Flower duet) | Heather Begg, Glenys Fowles | B Major | 1 | 1B | 169 BPM | ||
4 Letzte Lieder (4 Last Songs), TrV 296: No. 4. Im Abendrot | Richard Strauss, Soile Isokoski, Berlin Rundfunkorchester, Marek Janowski | E♭ Major | 0 | 5B | 89 BPM | ||
Adagio in G Minor | Tomaso Albinoni, City of London Sinfonia, Andrew Watkinson, Ian Watson | C Minor | 1 | 5A | 89 BPM | ||
La Boheme - Gesamtaufnahme in deutscher Sprache, 2. Bild: Wo ich auch geh', sei es allein am Abend in Paris | Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Lucia Popp, Stefan Soltesz, Muenchner Rundfunkorchester, Munich Radio Orchestra | D Minor | 1 | 7A | 131 BPM | ||
Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello) | Giacomo Puccini, Barbara Hendricks, Francesco Ellero D'Artegna, Gino Quilico, James Conlon, José Carreras, Orchestre National De France, Richard Cowan | A Major | 0 | 11B | 78 BPM | ||
Turandot / Act 3: Nessun dorma! | Giacomo Puccini, Luciano Pavarotti, Tom Krause, Pier Francesco Poli, Piero de Palma, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | D Major | 4 | 10B | 89 BPM | ||
Piano Concerto No.2 in F Minor, Op.21: 2. Larghetto | Frédéric Chopin, Nelson Freire, Gürzenich Orchester Köln, Lionel Bringuier | B♭ Major | 1 | 6B | 85 BPM |