"Turandot / Act 3: Nessun dorma!" by Giacomo Puccini, Luciano Pavarotti, Tom Krause, Pier Francesco Poli, Piero de Palma, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta was released on September 1, 1973. Since Turandot / Act 3: Nessun dorma! is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 28 in the song's album "Puccini: Turandot". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Turandot / Act 3: Nessun dorma! is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Turandot / Act 3: Nessun dorma! by Giacomo Puccini, Luciano Pavarotti, Tom Krause, Pier Francesco Poli, Piero de Palma, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta having a テンポ of 89 with a half-time of 44 テンポ and a double-time of 178 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turandot / Act 3: Tanto amore segreto | Giacomo Puccini, Montserrat Caballé, Dame Joan Sutherland, Luciano Pavarotti, Tom Krause, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | F Major | 2 | 7B | 170 BPM | ||
Carmen Suite No. 2: Habanera | London Philharmonic Orchestra | D Major | 0 | 10B | 121 BPM | ||
Alcina, HWV 34 / Act 2: "Ah! Ruggiero crudel - Ombre pallide" | George Frideric Handel, Dame Joan Sutherland, London Philharmonic Orchestra, Anthony Lewis | E Minor | 1 | 9A | 135 BPM | ||
Peer Gynt, Op. 23: No. 15, Prelude. Morning Mood | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | D Major | 1 | 10B | 67 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: 1. Vorspiel (Allegro moderato) | Max Bruch, Ray Chen, London Philharmonic Orchestra, Robert Trevino | C Minor | 2 | 5A | 166 BPM | ||
Tosca / Act 3: "E lucevan le stelle" | Giacomo Puccini, Joseph Calleja, Orchestre de la Suisse Romande, Marco Armiliato | B Minor | 2 | 10A | 164 BPM | ||
Les Troyens / Act 5: No.38 Chanson d'Hylas: "Vallon sonore" | Hector Berlioz, Ryland Davies, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | A♭ Major | 1 | 4B | 81 BPM | ||
Saint-Saëns: Introduction and Rondo capriccioso for Violin and Orchestra in A Minor, Op. 28 | Camille Saint-Saëns, Maxim Vengerov, Zubin Mehta, Israel Philharmonic Orchestra | A Minor | 1 | 8A | 147 BPM | ||
Rigoletto / Act 3: "La donna è mobile" | Giuseppe Verdi, Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | F♯ Major | 1 | 2B | 66 BPM | ||
Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | B♭ Major | 0 | 6B | 68 BPM |