Gilbert & Sullivan Society of Houston's 'H.M.S. Pinafore, Act I: A Maiden Fair to See' came out on August 1, 2006. The duration of H.M.S. Pinafore, Act I: A Maiden Fair to See is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. H.M.S. Pinafore, Act I: A Maiden Fair to See's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gilbert & Sullivan Society of Houston's "H.M.S. Pinafore" album is number 6 out of 34. Based on our statistics, H.M.S. Pinafore, Act I: A Maiden Fair to See's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of H.M.S. Pinafore, Act I: A Maiden Fair to See by Gilbert & Sullivan Society of Houston to be Allegro (fast, quick, and bright) because the track has a tempo of 129 テンポ, a half-time of 64テンポ, and a double-time of 258 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il mio bel foco | Francesco Durante, Benedetto Marcello, Frederica von Stade | A Minor | 1 | 8A | 73 BPM | ||
Rorem : "Early in the morning" | Ned Rorem, Susan Graham | C Minor | 0 | 5A | 72 BPM | ||
Art is Calling for Me | Molly Watson | E♭ Major | 1 | 5B | 108 BPM | ||
Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Eh hop! Eh hop! (Jupiter/Mercure/Junon) | Jacques Offenbach, Laurent Naouri/Etienne Lescroart/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | D Minor | 2 | 7A | 72 BPM | ||
Pagliacci / Act 1: "Qual fiamma aveva nel guardo!" | Ruggero Leoncavallo, Mirella Freni, National Philharmonic Orchestra, Giuseppe Patanè | D Major | 1 | 10B | 172 BPM | ||
And This Is My Beloved | Louis Adrian, Ziegfeld Theatre Orchestra, Henry Calvin | F Major | 1 | 7B | 90 BPM | ||
Falla: La vida breve, Act I: "Vivan los que rien!" (Salud, Paco, Chorus) | Manuel de Falla, Marianne Crebassa, Choeur Du Capitole De Toulouse, Stanislas de Barbeyrac, Ben Glassberg, Orchestre National Du Capitole De Toulouse | A Minor | 2 | 8A | 189 BPM | ||
Candide, Act II (Remastered): Finale. Make Our Garden Grow | Leonard Bernstein, Robert Rounseville, Barbara Cook, Irra Petina, Max Adrian, Original Broadway Cast of Candide, Samuel Krachmalnick, Candide Orchestra | A♭ Major | 2 | 4B | 105 BPM | ||
El barberillo de Lavapiés, Acto II: Marquesita y Don Luis | Ataúlfo Argenta, Ana Maria Olaria, Teresa Berganza, Gran Orquesta Sinfonica, Carlos Munguia, Francisco Asenjo Barbieri, Coro De Camara Del Orfeon Donostiarra | A Major | 4 | 11B | 81 BPM | ||
Meyerbeer: Il crociato in Egitto: "Suona funerea" (Adriano, Cavalieri) | Giacomo Meyerbeer, Michael Spyres, Christophe Rousset, Les Talens Lyriques, Le Jeune Choeur de Paris | G Major | 1 | 9B | 62 BPM |