"3 Pieces for Orchestra, Op. 6: 1. Praeludium (Prelude)" by Alban Berg, Wiener Philharmoniker, Claudio Abbado was released on January 1, 1995. With this song being about 5 minutes long, at 4:45, "3 Pieces for Orchestra, Op. 6: 1. Praeludium (Prelude)" by Alban Berg, Wiener Philharmoniker, Claudio Abbado is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 11 in Berg: Three Orchestral Pieces by Alban Berg, Anne Sofie von Otter, Wiener Philharmoniker, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, 3 Pieces for Orchestra, Op. 6: 1. Praeludium (Prelude)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 3 Pieces for Orchestra, Op. 6: 1. Praeludium (Prelude) by Alban Berg, Wiener Philharmoniker, Claudio Abbado is Allegro (fast, quick, and bright), since this song has a tempo of 128 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Premier livre. Étude 4, Fanfares | György Ligeti, Thomas Hell | D♭ Major | 2 | 3B | 136 BPM | ||
Symphony No. 15 in A Major, Op. 141: III. Allegretto | Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons | D Minor | 1 | 7A | 126 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Pendant la tempête | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | D Major | 1 | 10B | 70 BPM | ||
Symphony No.1 in E Major, Op. 26: III. Lento | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | C Major | 1 | 8B | 89 BPM | ||
Rapsodie espagnole, M.54: 3. Habanera | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | D♭ Major | 0 | 3B | 75 BPM | ||
Oedipus Rex, Prologue and Act I: "Spectateurs, vous allez entendre…" | Igor Stravinsky, London Symphony Orchestra, Stuart Skelton, Fanny Ardant, The Monteverdi Choir, John Eliot Gardiner | B♭ Minor | 1 | 3A | 172 BPM | ||
Variations (1963-64): Aldous Huxley in memoriam | Igor Stravinsky, London Sinfonietta, Oliver Knussen | A♭ Major | 1 | 4B | 133 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Much ado about nothing - Incidental Music: No. 5 Masquerade | Erich Wolfgang Korngold, Gil Shaham, André Previn | C Major | 2 | 8B | 121 BPM |