Pièces de viole du Troisième Livre, suite I en la mineur: Fantaisie [1] (1711)

Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman
Marin Marais: Pièces de viole des Cinq Livres
0:47 2011年9月27日
テンポ
89
キー
A♭ Minor
キャメロットミュージックキー
1A

リンクを埋め込む

共有

Pièces de viole du Troisième Livre, suite I en la mineur: Fantaisie [1] (1711) - Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman 情報

音響性
90%
ダンサビリティ
20%
エネルギー
28%
手段性
28%
活気
13%
ラウドネス
77%
話し言葉
4%
価数
56%
人気
ラウドネス
-13.621 dB

まとめ

Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman made "Pièces de viole du Troisième Livre, suite I en la mineur: Fantaisie [1] (1711)" available on September 27, 2011. With Pièces de viole du Troisième Livre, suite I en la mineur: Fantaisie [1] (1711) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman's "Marin Marais: Pièces de viole des Cinq Livres" album is number 32 out of 83. Pièces de viole du Troisième Livre, suite I en la mineur: Fantaisie [1] (1711) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Pièces de viole du Troisième Livre, suite I en la mineur: Fantaisie [1] (1711) テンポ

We consider the tempo marking of Pièces de viole du Troisième Livre, suite I en la mineur: Fantaisie [1] (1711) by Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman to be Andante (at a walking pace) because the track has a tempo of 89 テンポ, a half-time of 44テンポ, and a double-time of 178 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Pièces de viole du Troisième Livre, suite I en la mineur: Fantaisie [1] (1711) キー

This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
La morte della Ragione (Pavana) by Anonymous, Il Giardino Armonico, Giovanni AntoniniLa morte della Ragione (Pavana)Anonymous, Il Giardino Armonico, Giovanni AntoniniA♭ Major44B154 BPM
Prélude à 7 cordes by Monsieur de Sainte-Colombe, Hille PerlPrélude à 7 cordesMonsieur de Sainte-Colombe, Hille PerlD♭ Major03B114 BPM
Toccata arpeggiata by Giovanni Girolamo Kapsberger, Paul O'DetteToccata arpeggiataGiovanni Girolamo Kapsberger, Paul O'DetteD Minor27A87 BPM
[Suite en la majeur]: I. Prélude (No. 17) by Marin Marais, François Joubert-Caillet, L'Achéron[Suite en la majeur]: I. Prélude (No. 17)Marin Marais, François Joubert-Caillet, L'AchéronA♭ Major04B112 BPM
Canzonets to Three Voyces: XI. O Fly Not by Thomas Morley, Josh LeeCanzonets to Three Voyces: XI. O Fly NotThomas Morley, Josh LeeB Major11B105 BPM
Fantasias & In Nomines: No. 15 in G Minor, In Nomine a 6, Z. 746 by Henry Purcell, Chelys Consort of Viols, Emily AshtonFantasias & In Nomines: No. 15 in G Minor, In Nomine a 6, Z. 746Henry Purcell, Chelys Consort of Viols, Emily AshtonF♯ Minor111A108 BPM
Folia variations for harp solo by Anonymous, Lucas Ruiz de Ribayaz, Maxine EilanderFolia variations for harp soloAnonymous, Lucas Ruiz de Ribayaz, Maxine EilanderB Major11B148 BPM
Musiche sacre: No. 23, Canzon à 3 by Francesco Cavalli, London BaroqueMusiche sacre: No. 23, Canzon à 3Francesco Cavalli, London BaroqueA♭ Minor11A122 BPM
Come, ye sons of art, away (1694) Ode for the Birthday of Queen Mary II: Strike the viol, touch the lute by Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano MontanariCome, ye sons of art, away (1694) Ode for the Birthday of Queen Mary II: Strike the viol, touch the luteHenry Purcell, Andreas Scholl, Accademia Bizantina, Stefano MontanariD♭ Minor212A115 BPM
Pièces de viole, Livre 2 - Suite No. 3 in D Major: No. 63. Les Voix Humaines (Lentement) by Marin Marais, Philippe PierlotPièces de viole, Livre 2 - Suite No. 3 in D Major: No. 63. Les Voix Humaines (Lentement)Marin Marais, Philippe PierlotD♭ Major03B77 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records