Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman made "Pièces de viole du Troisième Livre, suite I en la mineur: Fantaisie [1] (1711)" available on September 27, 2011. With Pièces de viole du Troisième Livre, suite I en la mineur: Fantaisie [1] (1711) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman's "Marin Marais: Pièces de viole des Cinq Livres" album is number 32 out of 83. Pièces de viole du Troisième Livre, suite I en la mineur: Fantaisie [1] (1711) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Pièces de viole du Troisième Livre, suite I en la mineur: Fantaisie [1] (1711) by Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman to be Andante (at a walking pace) because the track has a tempo of 89 テンポ, a half-time of 44テンポ, and a double-time of 178 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La morte della Ragione (Pavana) | Anonymous, Il Giardino Armonico, Giovanni Antonini | A♭ Major | 4 | 4B | 154 BPM | ||
Prélude à 7 cordes | Monsieur de Sainte-Colombe, Hille Perl | D♭ Major | 0 | 3B | 114 BPM | ||
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Paul O'Dette | D Minor | 2 | 7A | 87 BPM | ||
[Suite en la majeur]: I. Prélude (No. 17) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 0 | 4B | 112 BPM | ||
Canzonets to Three Voyces: XI. O Fly Not | Thomas Morley, Josh Lee | B Major | 1 | 1B | 105 BPM | ||
Fantasias & In Nomines: No. 15 in G Minor, In Nomine a 6, Z. 746 | Henry Purcell, Chelys Consort of Viols, Emily Ashton | F♯ Minor | 1 | 11A | 108 BPM | ||
Folia variations for harp solo | Anonymous, Lucas Ruiz de Ribayaz, Maxine Eilander | B Major | 1 | 1B | 148 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Come, ye sons of art, away (1694) Ode for the Birthday of Queen Mary II: Strike the viol, touch the lute | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | D♭ Minor | 2 | 12A | 115 BPM | ||
Pièces de viole, Livre 2 - Suite No. 3 in D Major: No. 63. Les Voix Humaines (Lentement) | Marin Marais, Philippe Pierlot | D♭ Major | 0 | 3B | 77 BPM |