Antonio Vivaldi, Anastasia Kobekina, Kammerorchester Basel made "Concerto for Cello and Bassoon in E Minor, RV 409: III. Allegro" available on February 2, 2024. The duration of Concerto for Cello and Bassoon in E Minor, RV 409: III. Allegro is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Concerto for Cello and Bassoon in E Minor, RV 409: III. Allegro's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Venice by Anastasia Kobekina. The song's track number on the album is #22 out of 23 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Concerto for Cello and Bassoon in E Minor, RV 409: III. Allegro's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Concerto for Cello and Bassoon in E Minor, RV 409: III. Allegro by Antonio Vivaldi, Anastasia Kobekina, Kammerorchester Basel has a tempo of 142 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Concerto for Cello and Bassoon in E Minor, RV 409: III. Allegro being at 142 テンポ, the half-time would be 71 テンポ with a double-time of 284 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 3/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L’Endimione: Fandango (Transcr. for Chamber Orchestra) | Nicola Conforto, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM | ||
Cantata, BWV 159: Es ist vollbracht (Arr. Ólafsson for Piano) | Johann Sebastian Bach, Víkingur Ólafsson | B♭ Major | 0 | 6B | 136 BPM | ||
Sonata in E Major, Kk. 20: Presto | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
Cello Suite No. 3, Op. 87: IV. Barcarolla | Benjamin Britten, Anastasia Kobekina | F♯ Major | 2 | 2B | 142 BPM | ||
Six Morceaux, VWV 3003: II. Bohémienne (Arr. for Cello & Orchestra by Julian Riem) | Pauline Viardot, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds | C Major | 2 | 8B | 119 BPM | ||
Concerto in D Minor, BWV 974: II. Adagio (After Marcello) | Johann Sebastian Bach, Anastasia Kobekina, Azul Lima | F♯ Major | 2 | 2B | 142 BPM | ||
Concerto for Strings and Continuo in A Major, RV. 159: I. Allegro | Antonio Vivaldi, Simon Standage, Michaela Comberti, Jaap Ter Linden, The English Concert, Trevor Pinnock | E♭ Minor | 1 | 2A | 99 BPM | ||
La naissance de Vénus, LWV 27, Pt. 2: Grand dieu des enfers (Arr. G. Tailleferre for Piano) | Jean-Baptiste Lully, Nicolas Horvath | B Major | 2 | 1B | 108 BPM | ||
Bassoon Concerto in C Major, RV 474: I. Allegro | Antonio Vivaldi, Sophie Dervaux, La Folia Barockorchester | A Minor | 0 | 8A | 100 BPM | ||
Concerto Grosso Op. 6 No. 4 : IV. Giga Allegro | Arcangelo Corelli, Verità Baroque, Guglielmo Dandolo Marchesi, Eugenia Ottaviano, Bartolomeo Dandolo Marchesi | D♭ Major | 3 | 3B | 146 BPM |