"L’Endimione: Fandango (Transcr. for Chamber Orchestra)" by Nicola Conforto, Daniel Hope, Zürcher Kammerorchester was released on February 2, 2024. The duration of L’Endimione: Fandango (Transcr. for Chamber Orchestra) is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. L’Endimione: Fandango (Transcr. for Chamber Orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 32 out of 42 in Dance! by Daniel Hope, Zürcher Kammerorchester. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, L’Endimione: Fandango (Transcr. for Chamber Orchestra) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L’Endimione: Fandango (Transcr. for Chamber Orchestra) by Nicola Conforto, Daniel Hope, Zürcher Kammerorchester is Andante (at a walking pace), since this song has a tempo of 96 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Six Songs, Op. 34: II. Auf den Flügeln des Gesanges, MWV K86 | Felix Mendelssohn, Daniel Hope, Sebastian Knauer | A♭ Major | 0 | 4B | 58 BPM | ||
Cello Concerto in A Minor, RV 419: III. Allegro | Antonio Vivaldi, Anastasia Kobekina, Kammerorchester Basel | F♯ Major | 2 | 2B | 142 BPM | ||
6 Miniatures (Arr. T. Batiashvili for Violin & Orchestra): No. 1, Mzkemsuri | Sulkhan Tsintsadze, Lisa Batiashvili, Ingolstadt Georgian Chamber Orchestra | D Minor | 3 | 7A | 76 BPM | ||
Orpheus in the Underworld: Galop infernal (Transcr. for Solo Violin and Chamber Orchestra) | Jacques Offenbach, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM | ||
Recomposed By Max Richter: Vivaldi, The Four Seasons: Spring 1 - 2012 | Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, Andre de Ridder | D♭ Minor | 3 | 12A | 106 BPM | ||
Aria sopra "La Bergamasca" | Maurice Steger, Naoki Kitaya, Continuo Consort | D♭ Major | 2 | 3B | 74 BPM | ||
6 Romanian Folk Dances, BB 68, Sz. 56: No. 4, Buciumeana (Transcr. for Chamber Orchestra) | Béla Bartók, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM | ||
Petricor | Ludovico Einaudi, Daniel Hope | G Major | 3 | 9B | 108 BPM | ||
Concerto No. 3, "Fuge Like a Passion": I. Canon in G - After Canon Super Fa Mi, a 7. Post Tempus Musicum, BWV 1078 | Arash Safaian, Pascal Schumacher, Sebastian Knauer, Zürcher Kammerorchester | G Minor | 1 | 6A | 77 BPM | ||
Caesar's Palace Blues (Arr. for String Orchestra) | Eddie Jobson, John Wetton, Ishidagumi, Yasunao Ishida | D Major | 5 | 10B | 157 BPM |