"El Niño Judio: De España vengo" by Pablo Luna, Montserrat Caballé, Eugenio Mario Marco, Orquesta Sinfónica de Barcelona was released on 1991. Since El Niño Judio: De España vengo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Montserrat Caballé's "Montserrat Caballé, Diva Eterna" album is number 10 out of 24. El Niño Judio: De España vengo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of El Niño Judio: De España vengo by Pablo Luna, Montserrat Caballé, Eugenio Mario Marco, Orquesta Sinfónica de Barcelona to be Adagio (slowly with great expression) because the track has a tempo of 70 テンポ, a half-time of 35テンポ, and a double-time of 140 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strauss II, J: La chauve-souris, Act 1: Chanson. "Si je bois un peu, beaucoup" (Alfred, Caroline) | Johann Strauss II, Franck Pourcel, Jacqueline Brumaire, Remy Corazza, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
Las Golondrinas, Escena 1ª, II parte: "Niña loca" | Coro del Gran Teatro Lírico de Bacelona | E♭ Major | 2 | 5B | 129 BPM | ||
Luisa Fernanda, Acto ii: Escena y cuarteto | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | D Minor | 3 | 7A | 199 BPM | ||
El Amigo Melquiades: "Final por la Orquesta" - Remastered | Jose Serrano, Joaquín Valverde, Carlos Arniches, Orquesta Sinfonica, Indalecio Cisneros | F Major | 5 | 7B | 90 BPM | ||
Coro de los Doctores | Orquesta Y Coros Montilla | D♭ Major | 2 | 3B | 128 BPM | ||
Luisa Fernanda, Acto i: En mi tierra extremeña | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | C Minor | 3 | 5A | 89 BPM | ||
Los Cadetes de la Reina: Es el Pecado Más Horrible… Mariposa Es la Reina Gentil (Septimino) - Remastered | Julián Moyrón, Pablo Luna, Marcos Redondo | E♭ Major | 4 | 5B | 110 BPM | ||
Carmen Suite No. 1: Entr'acte (Act III) | Georges Bizet, Willem van Otterloo, Residentie Orkest | E♭ Major | 4 | 5B | 98 BPM | ||
La Picara Molinera: Duo de Pondala y Juan | Pablo Luna, Orquesta Sinfonica, Indalecio Cisneros | E♭ Major | 5 | 5B | 97 BPM | ||
And So, It Is Done/This Strange New Land | Paul Moravec, Oratorio Society of New York, Kent Tritle | C Major | 2 | 8B | 71 BPM |