New York Philharmonic, Guido Cantelli, Claudio Arrau's 'Klavierkonzert No. 2 in A Major, S. 125: III. Allegro deciso - Marziale un poco meno allegro' came out on February 21, 2013. Klavierkonzert No. 2 in A Major, S. 125: III. Allegro deciso - Marziale un poco meno allegro is about six minutes long, preciously at 6:23, making this song fairly long compared to other songs. The track order of this song in New York Philharmonic, Guido Cantelli, Claudio Arrau's "Grosse Pianisten - Claudio Arrau" album is number 24 out of 28. Klavierkonzert No. 2 in A Major, S. 125: III. Allegro deciso - Marziale un poco meno allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Klavierkonzert No. 2 in A Major, S. 125: III. Allegro deciso - Marziale un poco meno allegro by New York Philharmonic, Guido Cantelli, Claudio Arrau to be Adagio (slowly with great expression) because the track has a tempo of 68 テンポ, a half-time of 34テンポ, and a double-time of 136 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Introduction et Rondo capriccioso, Op.28, R. 188 | Camille Saint-Saëns, Itzhak Perlman, New York Philharmonic, Zubin Mehta | A Minor | 1 | 8A | 103 BPM | ||
Lohengrin, WWV 75: Prelude To Act III | Richard Wagner, Wiener Philharmoniker, Karl Böhm | G Major | 3 | 9B | 120 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17e, Moderato alla breve | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 0 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : II. Allegro | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Anna Holbling, Ludovit Kanta, Capella Istropolitana | A Major | 3 | 11B | 131 BPM | ||
Marche slave, Op. 31, TH 45 | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | B♭ Minor | 4 | 3A | 109 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal. Valse | Hector Berlioz, Leonard Bernstein, New York Philharmonic | A Major | 3 | 11B | 89 BPM | ||
Symphony No. 5 in C Minor, Op. 67: II. Andante con moto | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 0 | 4B | 75 BPM | ||
Vivaldi: La stravaganza, Violin Concerto in E Minor, Op. 4 No. 2, RV 279: I. Allegro | Antonio Vivaldi, Europa Galante, Fabio Biondi | E♭ Minor | 3 | 2A | 109 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Danse macabre, Op. 40, R. 171 - Remastered 2013 | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | G Minor | 2 | 6A | 107 BPM |