Adam Carse, Steven Isserlis, Stephen Hough made "A Merry Dance" available on April 1, 2006. With A Merry Dance being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 30 in Children's Cello by Steven Isserlis. In terms of popularity, A Merry Dance is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of A Merry Dance by Adam Carse, Steven Isserlis, Stephen Hough is Moderato (at a moderate speed), since this song has a tempo of 115 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madama Butterfly, SC 74, Act I: Vogliatemi bene | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | F♯ Minor | 4 | 11A | 80 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | C Major | 1 | 8B | 78 BPM | ||
Holberg Suite, Op. 40: 4. Air (Andante religioso) | Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 71 BPM | ||
Die erste Walpurgisnacht, Op. 60: Ouverture: Der Ubergang zum Fruhling | Felix Mendelssohn, Kurt Masur, Leipzig Gewandhaus Orchestra | E♭ Major | 0 | 5B | 58 BPM | ||
Fantasy Pieces, Op. 45: Summer Song | Agathe Backer Grøndahl, Iceland Symphony Orchestra, Bjarte Engeset | G Major | 0 | 9B | 91 BPM | ||
The Winton Suite: V. Finale | Adam Carse, Royal Ballet Sinfonia, Gavin Sutherland | G Major | 3 | 9B | 130 BPM | ||
Concerto in E Major, S 49, WoO 1: II. Andante | Johann Nepomuck Hummel, Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov | E Minor | 0 | 9A | 180 BPM | ||
Ancient Airs And Dances, Suite No.2, [P. 138]: 1. Laura soave: balletto con gagliarda, saltarello e canario | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | G Major | 0 | 9B | 96 BPM | ||
Abbey Road concerto for Violin and Orchestra: III. Intermezzo 1 - Oh Darling | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 2 | 11B | 99 BPM | ||
Symphony Concertante in D Major, Op. 20: III. Polonaise | Johann Evangelist Brandl, David Castro-Balbi, Alexandre Castro-Balbi, Deutsche Staatsphilharmonie Rheinland-Pfalz, Kevin Griffiths | D Major | 2 | 10B | 93 BPM |