"Lucia di Lammermoor, Scena V: "Oh giusto cielo!" - Scena ed Aria" by Sir Charles Mackerras, Hanover Band, London Voices, Andrea Rost was released on 2010. The duration of Lucia di Lammermoor, Scena V: "Oh giusto cielo!" - Scena ed Aria is about 3 minutes long, at 3:01. Based on our data, "Lucia di Lammermoor, Scena V: "Oh giusto cielo!" - Scena ed Aria" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Klaus Badelt's "L'immortel (Original Motion Picture Soundtrack)" album is number 21 out of 22. Lucia di Lammermoor, Scena V: "Oh giusto cielo!" - Scena ed Aria is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lucia di Lammermoor, Scena V: "Oh giusto cielo!" - Scena ed Aria by Sir Charles Mackerras, Hanover Band, London Voices, Andrea Rost to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.4 in C minor: Moderato | Thomas Arne, Hanover Band, Graham Lea-Cox | B♭ Major | 3 | 6B | 51 BPM | ||
Kettenbrucke Galoppe (Chain-Bridge Galop), Op. 21b | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | F Major | 2 | 7B | 123 BPM | ||
Harpsichord Concerto No. 7 in G Minor, BWV 1058: III. Allegro assai | Johann Sebastian Bach, Hanover Band, Andrew Arthur | A Major | 3 | 11B | 115 BPM | ||
Symphony No. 1 in G Major, Wq. 182: III. Presto | Carl Philipp Emanuel Bach, Orchestra Of The 18th Century, Alexander Janiczek | F♯ Major | 2 | 2B | 140 BPM | ||
Hollensteiner Jodler - 2009 | Salzburger Adventsingen, Salzburger Geigenmusik | C Major | 0 | 8B | 125 BPM | ||
Symphony No. 49 in F Major: I. Allegro spiritoso | Christian Cannabich, Nicolaus Esterhazy Sinfonia, Uwe Grodd | F Major | 2 | 7B | 82 BPM | ||
Der Winter: "Knurre, schnurre, knurre" | Joseph Haydn, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor, Marlis Petersen | C Major | 2 | 8B | 84 BPM | ||
Bach, JS: Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai | Johann Sebastian Bach, Anthony Halstead, Anthony Robson, Benjamin Hudson, Catherine Latham, Hanover Band, Mark Bennett | D♭ Minor | 3 | 12A | 107 BPM | ||
Lucia di Lammermoor: Scena IV, Introduction and Recit. "Ancor non giunse!" (Andrea Rost, Louise Winter) | Gaetano Donizetti, Sir Charles Mackerras, Hanover Band, Andrea Rost, London Voices | B♭ Major | 0 | 6B | 89 BPM | ||
Sinfonia d'Opera: Allegro vivace | Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | A Major | 1 | 11B | 88 BPM |