On 1992, the song "Bach, JS: Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai" was released by Johann Sebastian Bach, Anthony Halstead, Anthony Robson, Benjamin Hudson, Catherine Latham, Hanover Band, Mark Bennett. The duration of Bach, JS: Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Bach, JS: Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 16 in Brandenburgische Konzerte No. 1-5 (Inspiration) by Johann Sebastian Bach, Anthony Halstead. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Bach, JS: Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Bach, JS: Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai by Johann Sebastian Bach, Anthony Halstead, Anthony Robson, Benjamin Hudson, Catherine Latham, Hanover Band, Mark Bennett is Andante (at a walking pace), since this song has a tempo of 107 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: I. Allegro | Cologne Chamber Orchestra, Johann Sebastian Bach | B♭ Major | 2 | 6B | 90 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM | ||
Oboe Concerto in C: 3. Siciliana | Domenico Cimarosa, Heinz Holliger, I Musici | A Minor | 1 | 8A | 84 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Etude in F Minor | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 75 BPM |