Aaron Copland, Leonard Bernstein, New York Philharmonic made "Billy the Kid Suite: V. Gun Battle" available on 1960. With Billy the Kid Suite: V. Gun Battle being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 21 in Copland: Appalachian Spring, Rodeo, Billy the Kid & Fanfare for the Common Man by Aaron Copland, Leonard Bernstein. The popularity of Billy the Kid Suite: V. Gun Battle is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Billy the Kid Suite: V. Gun Battle by Aaron Copland, Leonard Bernstein, New York Philharmonic is Vivace (lively and fast), since this song has a tempo of 166 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Mother Goose: I. Prélude | Maurice Ravel, Barry Wordsworth, London Symphony Orchestra | G Major | 0 | 9B | 84 BPM | ||
The Planets, Op. 32: V. Saturn, the Bringer of Old Age | Gustav Holst, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 50 BPM | ||
La Mer, L.109: 3. Dialogue Of The Wind And The Sea (Dialogue du vent et de la mer) | Claude Debussy, Concertgebouworkest, Bernard Haitink | D♭ Major | 1 | 3B | 83 BPM | ||
Billy the Kid Suite: III. Mexican Dance and Finale | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 3 | 8B | 141 BPM | ||
Symphony in E Minor, Op. 32, "Gaelic Symphony": I. Allegro con fuoco | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | E Minor | 1 | 9A | 111 BPM | ||
Symphony No. 7 in D Minor, Op. 70, B. 141: IV. Finale. Allegro | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Flute Concerto No. 2 in D major, K.314/285d: III. Rondo. Allegretto | Wolfgang Amadeus Mozart, Robert Langevin, New York Philharmonic, Bernard Labadie | D Major | 1 | 10B | 123 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | ||
Carmen Suite No. 2: Danse bohème. Andante quasi Allegretto (Act II) | Georges Bizet, Leonard Bernstein, New York Philharmonic | D♭ Minor | 4 | 12A | 129 BPM |