Claudio Monteverdi, Ian Partridge, Nigel Rogers, Christopher キーte, Colin Tilney, Werner Kauffmann, Jürgen Jürgens, The Monteverdi Choir made "Madrigals, Book 9: Non voglio amare, SV 172" available on April 11, 2020. With Madrigals, Book 9: Non voglio amare, SV 172 being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Work From Home With Monteverdi by Claudio Monteverdi. The song's track number on the album is #3 out of 47 tracks. Based on our data, Germany was the country where this track was produced or recorded. Madrigals, Book 9: Non voglio amare, SV 172 is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Madrigals, Book 9: Non voglio amare, SV 172 by Claudio Monteverdi, Ian Partridge, Nigel Rogers, Christopher キーte, Colin Tilney, Werner Kauffmann, Jürgen Jürgens, The Monteverdi Choir has a tempo of 67 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Madrigals, Book 9: Non voglio amare, SV 172 being at 67 テンポ, the half-time would be 34 テンポ with a double-time of 134 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Io piango o filli, madrigal à 5 | Giovanni de Macque, Huelgas Ensemble, Paul Van Nevel | A Minor | 1 | 8A | 82 BPM | ||
Gloria in D, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient Music | B♭ Minor | 2 | 3A | 130 BPM | ||
Vespro della Beata Vergine, SV 206: I. Deus in adjutorium | Claudio Monteverdi, Netherlands Chamber Choir, Concerto Vocale, René Jacobs | E Minor | 1 | 9A | 70 BPM | ||
Mit Fried und Freud ich fahr dahin, BuxWV 76 | Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel | D Minor | 1 | 7A | 56 BPM | ||
Lamento D'Arianna: I. Lasciatemi Morire | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | A Major | 1 | 11B | 89 BPM | ||
O vos omnes | Carlo Gesualdo, Daarler Vocal Consort | D♭ Major | 2 | 3B | 120 BPM | ||
Missa si Deus pro nobis, a 16 voci: I. Kyrie eleison | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | C Major | 1 | 8B | 94 BPM | ||
Stabat Mater: II. Cujus animam gementem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Si du malheur | Orlande de Lassus, Ensemble Clément Janequin, Dominique Visse | E♭ Minor | 0 | 2A | 138 BPM | ||
Mass in B Minor, BWV 232: Agnus Dei (Alto) | Johann Sebastian Bach, Meg Bragle, English Baroque Soloists, John Eliot Gardiner | E♭ Major | 1 | 5B | 126 BPM |