"Iolanthe" by Gilbert & Sullivan, The D'Oyly Carte Opera Company, Sadler's Wells Orchestra, Isidore Godfrey, Sir Charles Mackerras was released on 2001. Since Iolanthe is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gilbert & Sullivan, The D'Oyly Carte Opera Company, Sadler's Wells Orchestra, Isidore Godfrey, Sir Charles Mackerras's "Gilbert & Sullivan: Iolanthe; Pineapple Poll" album is number 1 out of 50. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Iolanthe's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Iolanthe by Gilbert & Sullivan, The D'Oyly Carte Opera Company, Sadler's Wells Orchestra, Isidore Godfrey, Sir Charles Mackerras to be Allegro (fast, quick, and bright) because the track has a tempo of 124 テンポ, a half-time of 62テンポ, and a double-time of 248 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Deadwood Stage | Debbie Gravitte, Jason Howard | E Major | 5 | 12B | 86 BPM | ||
The Pirates of Penzance: Finale Act One | Marilyn Hill Smith, Patricia Cameron, Simon Masterson Smith | G Major | 1 | 9B | 92 BPM | ||
Puccini: Turandot, Act 2: "La mia vittoria" (Calaf, Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Minor | 3 | 4A | 93 BPM | ||
The Sun, Whose Rays Are All Ablaze | W. S. Gilbert & Arthur Sullivan, Rebecca Hains | G Major | 0 | 9B | 157 BPM | ||
Sigmund Romberg Suite - Pt 1 - Wanting You - Remastered | Mantovani | G Major | 3 | 9B | 101 BPM | ||
H.M.S. Pinafore, Act I: Sir Joseph's Barge Is Seen | Gilbert & Sullivan Society of Houston | E Minor | 2 | 9A | 102 BPM | ||
H.M.S. Pinafore, Act I: I'm Called Little Buttercup | Gilbert & Sullivan Society of Houston | C Major | 2 | 8B | 93 BPM | ||
Yes!, Act I: Ouverture | Maurice Yvain, Les Frivolités Parisiennes | F Major | 1 | 7B | 83 BPM | ||
18. When Britain really ruled the waves | Arthur Sullivan, Donald Adams, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | A Major | 2 | 11B | 75 BPM | ||
Time | Bruce Mondek | A♭ Major | 1 | 4B | 99 BPM |