Burkhard Glaetzner, Wolfgang Amadeus Mozart, New Bach Collegium Musicum Leipzig made "Divertimento In D Major Kv 251: Molto Allegro" available on March 28, 2007. Divertimento In D Major Kv 251: Molto Allegro is about six minutes long, preciously at 6:13, making this song fairly long compared to other songs. The track order of this song in Burkhard Glaetzner's "Mozart Edition Volume 22" album is number 15 out of 77. Based on our statistics, Divertimento In D Major Kv 251: Molto Allegro's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Divertimento In D Major Kv 251: Molto Allegro by Burkhard Glaetzner, Wolfgang Amadeus Mozart, New Bach Collegium Musicum Leipzig to be Allegro (fast, quick, and bright) because the track has a tempo of 143 テンポ, a half-time of 72テンポ, and a double-time of 286 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata No. 24 in F Major, K. 376 (arr. P. Gallois for flute and piano): III. Rondeau: Allegretto grazioso | Patrick Gallois, Wolfgang Amadeus Mozart, Maria Prinz | F Major | 1 | 7B | 136 BPM | ||
Theme and Variations in F Major, Op. 97: Theme | Johann Nepomuk Hummel, Howard Shelley, London Mozart Players | A Major | 1 | 11B | 144 BPM | ||
Rondo Fresco Ungaria per corno di bassetto e ottetto di fiati | Georg Druschetzky, Luigi Magistrelli, Italian Classical Consort | F Major | 1 | 7B | 136 BPM | ||
Symphony No. 67 in F Major Hob. I:67: 2. Adagio | Joseph Haydn, Norichika Iimori, Japan Century Symphony Orchestra | E♭ Major | 1 | 5B | 135 BPM | ||
String Quartet in B-Flat Major, Op. 2, No. 5, Ben. 311: III. Rondo: Grazioso | Ignaz Pleyel, Enso String Quartet | B♭ Major | 1 | 6B | 128 BPM | ||
Symphony in G Major, Eisen G8: IV. Allegro | Leopold Mozart, Toronto Chamber Orchestra, Kevin Mallon | D Major | 1 | 10B | 84 BPM | ||
Haydn: The Seven Last Words of Christ, Hob. XX:1: Sonata VII. "Pater, in manus tuas commendo spiritum meum" | Joseph Haydn, Sir Neville Marriner, Academy of St. Martin in the Fields | G Minor | 3 | 6A | 115 BPM | ||
Thétis et Pelée: Ouverture | Jean-Benjamin de La Borde, Reinoud Van Mechelen, A Nocte Temporis | E Major | 2 | 12B | 134 BPM | ||
Grand Overture in B-Flat Major, Op. 18, No. 2, W. G9: III. Presto | Johann Christian Bach, Budapest Failoni Chamber Orchestra, Hanspeter Gmür | G Minor | 1 | 6A | 135 BPM | ||
L'Amant anonyme: Ouverture: II. Andante | Joseph Bologne, Chevalier de Saint-Georges, La Cetra Barockorchester Basel, Andrea Marcon | F Major | 1 | 7B | 138 BPM |