Franz Xaver Scharwenka, Neeme Järvi, Estonian National Symphony Orchestra, Alexander Markovich's 'Concerto No. 1, Op. 32, Scharw. 125: I. Allegro patetico - Più animato' came out on April 1, 2014. Concerto No. 1, Op. 32, Scharw. 125: I. Allegro patetico - Più animato appears to be safe for all ages as it is not explicit. There are a total of 13 in the song's album "Scharwenka: Complete Piano Concertos". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Concerto No. 1, Op. 32, Scharw. 125: I. Allegro patetico - Più animato's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto No. 1, Op. 32, Scharw. 125: I. Allegro patetico - Più animato by Franz Xaver Scharwenka, Neeme Järvi, Estonian National Symphony Orchestra, Alexander Markovich having a テンポ of 141 with a half-time of 70 テンポ and a double-time of 282 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations for Piano, Op. 48: Var. 13. Adagio | Xaver Scharwenka, Seta Tanyel | A Major | 0 | 11B | 75 BPM | ||
Blumenleben, Op. 19: No. 5, Rose | Dora Pejačević, Donka Angatscheva | A Major | 2 | 11B | 79 BPM | ||
Piano Sonata in D Major, Op. 53, D. 850 "Gasteiner": III. Scherzo. Allegro vivace | Franz Schubert, Giuseppe Bruno | F♯ Minor | 1 | 11A | 114 BPM | ||
Lied ohne Worte, Op. 85: No. 6 in B-Flat Major, MWV U 155 | Felix Mendelssohn, Peter Donohoe | E Major | 0 | 12B | 72 BPM | ||
3 Fantaisies, Op. 16: No. 2, Scherzo in E Minor | Felix Mendelssohn, Xaver Scharwenka, Peter Phillips | E Minor | 2 | 9A | 92 BPM | ||
Goldberg Variations, BWV 988 (Arr. for 2 Pianos by Joseph Gabriel Rheinberger): Var. 26 | Johann Sebastian Bach, Elena Valentini, Matteo Liva | G Major | 0 | 9B | 118 BPM | ||
25の練習曲作品100 第7曲 清い小川 | Franz Burgmüller, Rintaro Akamatsu | C Minor | 0 | 5A | 78 BPM | ||
Carnaval, Op. 9: XII. Chopin. Agitato | Robert Schumann, Marc-André Hamelin | A♭ Major | 0 | 4B | 110 BPM | ||
16 Waltzes, Op. 39: No. 7 in C-Sharp Minor | Johannes Brahms, Duo Degas | D Minor | 0 | 7A | 80 BPM | ||
Etudes, Op. 10: No. 3 in E Major, 'Tristesse' - Duo-Art 6524 | Frédéric Chopin, Peter Phillips, Alfred Cortot | E Major | 0 | 12B | 71 BPM |