"Psaume 24, La terre appartient à l'Eternel" by Lili Boulanger, Jean-Jacques Grunenwald, Orchestre des Concerts Lamoureux, Igor Markevitch, Chorale Elisabeth Brasseur was released on December 12, 2013. The duration of Psaume 24, La terre appartient à l'Eternel is about 3 minutes long, at 3:28. Based on our data, "Psaume 24, La terre appartient à l'Eternel" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 5 in the song's album "The Religious Hymns of Lili Boulanger: Psaumes Nos. 130, 24, 129, Vieille prière bouddhique & Pie Jesu". In this album, this song's track order is #2. Psaume 24, La terre appartient à l'Eternel is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psaume 24, La terre appartient à l'Eternel by Lili Boulanger, Jean-Jacques Grunenwald, Orchestre des Concerts Lamoureux, Igor Markevitch, Chorale Elisabeth Brasseur having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Piano Pieces, Op.119: 1. Intermezzo In B Minor | Johannes Brahms, Radu Lupu | B Minor | 0 | 10A | 69 BPM | ||
Kinderszenen, Op.15: 4. Bittendes Kind | Robert Schumann, Martha Argerich | D Major | 0 | 10B | 113 BPM | ||
6 Consolations, S. 172: No. 2 in E Major (Un Poco Più Mosso) | Franz Liszt, Daniel Barenboim | B Major | 0 | 1B | 69 BPM | ||
Psalm XXIV For Tenor, Chorus, Brass, Timpani, Harps And Organ. La terre appartient à l'Eternel | Lili Boulanger, Julian Podger, The Monteverdi Choir, London Symphony Orchestra, John Eliot Gardiner | E Minor | 2 | 9A | 78 BPM | ||
Les Sirènes | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | F♯ Major | 0 | 2B | 132 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
La Source | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | D♭ Minor | 1 | 12A | 70 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
13 Preludes, Op. 32: No. 5 in G Major. Moderato | Sergei Rachmaninoff, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Pièce, Op. 189 | Mel Bonis, Juliette Hurel, Hélène Couvert | C Major | 0 | 8B | 94 BPM |