"Five Elizabethan Songs: I. Orpheus" by Ivor Gurney, Jodie Devos, Nicolas Krüger was released on February 19, 2021. The duration of Five Elizabethan Songs: I. Orpheus is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Five Elizabethan Songs: I. Orpheus's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 25 in And Love Said... by Nicolas Krüger, Jodie Devos. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Five Elizabethan Songs: I. Orpheus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Five Elizabethan Songs: I. Orpheus by Ivor Gurney, Jodie Devos, Nicolas Krüger is Andante (at a walking pace), since this song has a tempo of 92 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verschiedene Volkslieder, WoO 157: No. 8, By the Side of the Shannon | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | G Major | 2 | 9B | 103 BPM | ||
All night under the moon | Ivor Gurney, Jennifer Partridge, Ian Partridge | A♭ Minor | 0 | 1A | 110 BPM | ||
Te Deum, WAB 45: II. Te ergo quaesumus | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Krassimira Stoyanova, Yvonne Naef, Christoph Strehl, Günther Groissböck, Bavarian Radio Chorus | F Major | 2 | 7B | 98 BPM | ||
Già il sole dal Gange | Alessandro Scarlatti, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: IV. Et misericordia | Carl Philipp Emanuel Bach, Geraint Jones, Geraint Jones Singers, Geraint Jones Orchestra | D Major | 4 | 10B | 121 BPM | ||
Strauss, R: 6 Lieder, Op. 37: No. 3, Meinem Kinde | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
ICC 101: La lune paresseuse | Cécile Chaminade, Sivan Goldman, Shira Shaked | C Major | 2 | 8B | 129 BPM | ||
Zigeunerlieder Op. 103: II. Hochgetürmte Rimaflut | Johannes Brahms, Anne Sofie von Otter, Bengt Forsberg | E Major | 0 | 12B | 81 BPM | ||
Mozart: Abendempfindung, K. 523 | Wolfgang Amadeus Mozart, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Gurre-Lieder / Part 1: 3. "O, wenn des Mondes Strahlen" | Arnold Schoenberg, Jessye Norman, Boston Symphony Orchestra, Seiji Ozawa | D♭ Major | 1 | 3B | 86 BPM |