Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore's ' "Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: IV. Allegro" was released on its scheduled release date, April 26, 2024. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: IV. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Fatma Said, Jakub Józef Orliński, Il Giardino d'Amore's "Gluck: Orfeo ed Euridice, Wq. 30" album is number 29 out of 30. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: IV. Allegro's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: IV. Allegro by Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore to be Allegro (fast, quick, and bright) because the track has a tempo of 129 テンポ, a half-time of 64テンポ, and a double-time of 258 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Ouverture No. 6 in G Minor: III. Allegro | Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM | ||
Christ lag in Todesbanden: I. Sonata | Johann Kuhnau, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM | ||
Purcell: The Fairy Queen, Z. 629, Act III. Symphony While the Swans Come Forward | Henry Purcell, Amsterdam Baroque Orchestra, Ton Koopman | B Minor | 0 | 10A | 78 BPM | ||
Don Juan: II. Andante | Christoph Willibald Gluck, Il Giardino Armonico, Giovanni Antonini | E♭ Major | 0 | 5B | 100 BPM | ||
Violin Concerto in B flat major, Op.1, No.1: 3. Un poco presto | Prince Johann Ernst, Stanley Ritchie, The Bach-Ensemble, Joshua Rifkin | E Major | 2 | 12B | 95 BPM | ||
Gluck: Orphée et Eurydice, Wq. 41, Act 2 Scene 1: Air de Furies (Vivement) | Christoph Willibald Gluck, Orchestre de l'Opéra National de Lyon/Sir John Eliot Gardiner, John Eliot Gardiner, Orchestre De L'Opéra National De Lyon | B♭ Major | 1 | 6B | 86 BPM | ||
Marais: Pièces en trio: Suite No. 1 en do majeur: III. Seconde sarabande | Marin Marais, Ensemble Amalia | B Major | 0 | 1B | 70 BPM | ||
6 Concerts transcrits en sextuor / 4e concert: 1. La pantomime | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | F Minor | 3 | 4A | 100 BPM | ||
6 Concerts transcrits en sextuor / 6e concert: 3. L'enharmonique | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | F Minor | 3 | 4A | 100 BPM | ||
King Arthur, Z. 628, Act II: No. 10, Introduction | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | D♭ Minor | 1 | 12A | 67 BPM |