Gustav Holst, Royal Philharmonic Orchestra, Vernon Handley's 'St. Paul's Suite, Op. 29, No. 2: II. Ostinato' came out on July 23, 2002. With St. Paul's Suite, Op. 29, No. 2: II. Ostinato being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gustav Holst, Vernon Handley, Barry Wordsworth, Royal Philharmonic Orchestra's "Holst: The Planets, St. Paul's Suite, Brook Green Suite" album is number 9 out of 14. On top of that, United States appears to be the country where this track was created. In terms of popularity, St. Paul's Suite, Op. 29, No. 2: II. Ostinato is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of St. Paul's Suite, Op. 29, No. 2: II. Ostinato by Gustav Holst, Royal Philharmonic Orchestra, Vernon Handley to be Moderato (at a moderate speed) because the track has a tempo of 118 テンポ, a half-time of 59テンポ, and a double-time of 236 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
The Magic Flute, Overture, K620 | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 85 BPM | ||
Symphony No. 9 in D Minor, Op. 125: IVa. Presto | Ludwig van Beethoven, Berliner Philharmoniker, Kirill Petrenko | D Major | 0 | 10B | 82 BPM | ||
Mother Goose: IV. Les entretiens de la belle et de la bête | Maurice Ravel, Barry Wordsworth, London Symphony Orchestra | C Major | 0 | 8B | 39 BPM | ||
Heartbroken Kiki - from 'Kiki's Delivery Service' | Joe Hisaishi, Royal Philharmonic Orchestra | C Major | 3 | 8B | 136 BPM | ||
The Planets, Op. 32: 5. Saturn, The Bringer Of Old Age | Gustav Holst, Chicago Symphony Orchestra, James Levine | G Major | 0 | 9B | 132 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 2. Ostinato: Presto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | D Major | 1 | 10B | 65 BPM | ||
Symphony in B Minor (arr. T. Finno for orchestra): I. Allegro ben marcato | Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl | C Major | 1 | 8B | 99 BPM | ||
Serenade for Strings | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 89 BPM |