Alexander Glazunov, Kivov Orchestra, Viktor Fedotov made "Raymonda, Act III: Entree" available on January 1, 1996. The duration of Raymonda, Act III: Entree is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Raymonda, Act III: Entree's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alexander Glazunov, Kivov Orchestra, Viktor Fedotov's "Glazunov: Raymonda" album is number 23 out of 59. On top of that, United Kingdom appears to be the country where this track was created. Raymonda, Act III: Entree is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Raymonda, Act III: Entree by Alexander Glazunov, Kivov Orchestra, Viktor Fedotov to be Adagio (slowly with great expression) because the track has a tempo of 68 テンポ, a half-time of 34テンポ, and a double-time of 136 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Paulli: Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 6, Coda | Edvard Helsted, Holger Simon Paulli, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | E♭ Major | 2 | 5B | 95 BPM | ||
Paulli: Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 2, Adage | Edvard Helsted, Holger Simon Paulli, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | B♭ Major | 0 | 6B | 177 BPM | ||
Act III: Variation 3 (Minkus) | Mariinsky Orchestra | B♭ Major | 2 | 6B | 118 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: IV. Allegro ma non troppo | Antonín Dvořák, George Szell, Cleveland Orchestra | G Major | 1 | 9B | 133 BPM | ||
Le Corsaire: Pas de deux | Riccardo Drigo, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 76 BPM | ||
Giselle: Act I: Polacca | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 1 | 11B | 87 BPM | ||
Act I: Friends Of Kitri (Minkus) | Mariinsky Orchestra | D Major | 2 | 10B | 72 BPM | ||
L'Arlésienne Suite No. 2, WD 28: 1. Pastorale | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Major | 0 | 11B | 112 BPM | ||
Spartacus: Variation of Aegina and Bacchanalia | Aram Khachaturian, Bournemouth Symphony Orchestra, Kirill Karabits | D♭ Major | 3 | 3B | 132 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16c, Pas de deux de Fanny Elssler. Adage | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | E♭ Major | 0 | 5B | 142 BPM |