"Florida Suite: IV. At Night" by Frederick Delius, Ulster Orchestra, Vernon Handley was released on July 1, 1984. Since Florida Suite: IV. At Night is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 10 in Delius: Florida Suite / North Country Sketches / On Hearing the First Cuckoo in Spring by Frederick Delius, Vernon Handley. Florida Suite: IV. At Night is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Florida Suite: IV. At Night by Frederick Delius, Ulster Orchestra, Vernon Handley is Adagio (slowly with great expression), since this song has a tempo of 68 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wiegenlied, S. 198 | Franz Liszt, Khatia Buniatishvili | A Minor | 0 | 8A | 67 BPM | ||
Romance, Op. 23 (Violin and Piano) | Amy Beach, Romantic Chamber Group of London | A Major | 0 | 11B | 96 BPM | ||
Valse lente | Germaine Tailleferre, Dario Müller | A Major | 0 | 11B | 67 BPM | ||
Delius / Arr. Fenby: Koanga, Act II: La Calinda | Frederick Delius, Sir John Barbirolli, Hallé | E Minor | 4 | 9A | 116 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
Nocturne in B Major, Op. 40, B. 47 | Antonín Dvořák, Baltimore Symphony Orchestra, Marin Alsop | B♭ Major | 1 | 6B | 83 BPM | ||
Violin Concerto: III. Romance Without Words | Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José Serebrier | F♯ Major | 1 | 2B | 66 BPM | ||
The Protecting Veil: The Dormition of the Mother of God | John Tavener, Maria Kliegel, Ulster Orchestra, Takuo Yuasa | G Major | 0 | 9B | 84 BPM | ||
String Quartet 1916: 1. With animation | Frederick Delius, Fitzwilliam Quartet | F♯ Major | 2 | 2B | 99 BPM | ||
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM |