"Nocturne in B Major, Op. 40, B. 47" by Antonín Dvořák, Baltimore Symphony Orchestra, Marin Alsop was released on November 16, 2010. Since Nocturne in B Major, Op. 40, B. 47 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 6 in Dvorak: Symphony No. 6 - Nocturne - Scherzo capriccioso by Antonín Dvořák, Marin Alsop. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Nocturne in B Major, Op. 40, B. 47 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nocturne in B Major, Op. 40, B. 47 by Antonín Dvořák, Baltimore Symphony Orchestra, Marin Alsop is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 95 BPM | ||
5 Songs from the Norwegian: No. 5. Sunset (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | F♯ Major | 0 | 2B | 69 BPM | ||
Symphony in D Minor: Symphony in D Minor: II. Allegretto | César Franck, Philippe Herreweghe, Orchestre des Champs-Élysées | F♯ Major | 0 | 2B | 90 BPM | ||
Suite No. 1, Op. 13: III. Nocturne | Jules Massenet, New Zealand Symphony Orchestra, Jean-Yves Ossonce | A♭ Major | 0 | 4B | 85 BPM | ||
Symphony No. 5 in C Sharp Minor: IV. Adagietto (Sehr langsam) | Gustav Mahler, Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel | F Major | 0 | 7B | 79 BPM | ||
Romance for Violin and Strings in D Major | Johann Peter Salomon, Daniel Hope, Zurich Chamber Orchestra | D Major | 1 | 10B | 89 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Royal Liverpool Philharmonic Orchestra, Simon Trpčeski, Vasily Petrenko | C Minor | 1 | 5A | 74 BPM | ||
2 Pieces for Small Orchestra: No. 1. On Hearing the First Cuckoo in Spring | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | E Minor | 0 | 9A | 107 BPM | ||
Violin Concerto In D, Op.35, TH. 59: 2. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Leila Josefowicz, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 0 | 5B | 98 BPM |