Arleen Auger's 'Samson, HWV 57: Samson, HWV 57, Act III: Let the bright Seraphim in burning row' came out on January 1, 2000. Samson, HWV 57: Samson, HWV 57, Act III: Let the bright Seraphim in burning row is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. The song is number 4 out of 38 in Auger, Arleen: Arias by Arleen Auger. In terms of popularity, Samson, HWV 57: Samson, HWV 57, Act III: Let the bright Seraphim in burning row is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Samson, HWV 57: Samson, HWV 57, Act III: Let the bright Seraphim in burning row by Arleen Auger is Moderato (at a moderate speed), since this song has a tempo of 110 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Lieder, Op. 17, TrV 149: 6 Lieder, Op. 17, TrV 149: No. 2. Standchen | Arleen Auger | F♯ Major | 1 | 2B | 98 BPM | ||
Purcell : King Arthur : Act 5 Chaconne | William Christie | E♭ Major | 0 | 5B | 125 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Qui tollis | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus, Sir Colin Davis | B♭ Major | 1 | 6B | 94 BPM | ||
Brahms: Ein deutsches Requiem, Op. 45: VII. Selig sind die Toten | Johannes Brahms, Sir Simon Rattle, Rundfunkchor Berlin, Berliner Philharmoniker | F Major | 0 | 7B | 74 BPM | ||
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 10, Chorus. "Awake the Harp" (Chorus) | Joseph Haydn, Sir Simon Rattle, City of Birmingham Symphony Chorus, City Of Birmingham Symphony Orchestra | B♭ Major | 3 | 6B | 109 BPM | ||
Vivaldi: Gloria in D Major, RV 589: VII. Dominie Fili Unigenite | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | E Major | 3 | 12B | 135 BPM | ||
Sinfonia in A Major: II. Andante | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Minor | 1 | 8A | 94 BPM | ||
Orfeo ed Euridice: Overtura | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | G Major | 2 | 9B | 76 BPM | ||
Flute Concerto in D Minor, Wq. 22, H. 425 (arr. R.O. Quero for oboe, strings and harpsichord): I. [Allegro] | Carl Philipp Emanuel Bach, Ramon Ortega Quero, Kammerakademie Potsdam | D Minor | 2 | 7A | 94 BPM | ||
Cleopatra e Cesare, WV B:I:7: Tra le procelle assorto (Aria) | Carl Heinrich Graun, Regula Mühlemann | E♭ Major | 4 | 5B | 130 BPM |