Johann Sebastian Bach, András Schiff's '15 Three-part Inventions, BWV 787/801: No. 4 in D minor, BWV 790' came out on October 8, 2021. The duration of 15 Three-part Inventions, BWV 787/801: No. 4 in D minor, BWV 790 is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. 15 Three-part Inventions, BWV 787/801: No. 4 in D minor, BWV 790's duration is considered a little bit shorter than the average duration of a typical track. The song is number 50 out of 106 in Bach Piano by Johann Sebastian Bach, Various Artists. In terms of popularity, 15 Three-part Inventions, BWV 787/801: No. 4 in D minor, BWV 790 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 15 Three-part Inventions, BWV 787/801: No. 4 in D minor, BWV 790 by Johann Sebastian Bach, András Schiff is Andante (at a walking pace), since this song has a tempo of 99 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 132 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Rondo in D Minor, Wq. 61/4, H. 290 | Carl Philipp Emanuel Bach, Christopher Hinterhuber | B♭ Major | 1 | 6B | 135 BPM | ||
Concerto in B-flat Major for Cello, Strings and Basso continuo, RV 423: I. Allegro | Antonio Vivaldi, Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | A Major | 2 | 11B | 114 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
(Ré)inventio: No. 13 in A Minor [After J.S. Bach's BWV 784] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | E Minor | 2 | 9A | 112 BPM | ||
Weinen, Klagen, Sorgen, Zagen, BWV 12: Sinfonia | Johann Sebastian Bach, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper | E Minor | 1 | 9A | 119 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM |