"Delage: 4 poèmes hindous: III. Bénarès" by Maurice Delage, Sabine Devieilhe, François-Xavier Roth, Les Siècles was released on November 10, 2017. With Delage: 4 poèmes hindous: III. Bénarès being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Sabine Devieilhe's "Mirages" album is number 6 out of 15. Delage: 4 poèmes hindous: III. Bénarès is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Delage: 4 poèmes hindous: III. Bénarès by Maurice Delage, Sabine Devieilhe, François-Xavier Roth, Les Siècles to be Larghetto (rather broadly) because the track has a tempo of 64 テンポ, a half-time of 32テンポ, and a double-time of 128 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Hai-kais: No. 1. Preface du Kokinshiou | Maurice Delage, Sandrine Piau, Billy Eidi | B♭ Minor | 1 | 3A | 86 BPM | ||
Massenet: Thaïs, Act 2: "Celle qui vient est plus belle" (La charmeuse, Crobyle, Myrtale) | Jules Massenet, Sabine Devieilhe, Jodie Devos, Marianne Crebassa, Les Siècles, François-Xavier Roth | C Minor | 1 | 5A | 98 BPM | ||
Die Nacht, Op.10, No.3 | Richard Strauss, Barbara Bonney, Malcolm Martineau | D Major | 0 | 10B | 174 BPM | ||
Delage: 4 poèmes hindous: II. Lahore | Maurice Delage, Sabine Devieilhe, François-Xavier Roth, Les Siècles | B Minor | 0 | 10A | 85 BPM | ||
Labsente | Cécile Chaminade, Sivan Goldman, Shira Shaked | C Major | 2 | 8B | 78 BPM | ||
"Oh, quand je dors" S 282 | Franz Liszt, Barbara Bonney, Antonio Pappano | E Major | 1 | 12B | 65 BPM | ||
Stabat Mater, Op. 58: IX. Inflammatus et accensus (Andante maestoso) | Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Michaela Selinger | G Major | 1 | 9B | 92 BPM | ||
Let Us Garlands Bring, Op. 18: Come Away, Come Away, Death | Gerald Finzi, Bryn Terfel, Malcolm Martineau | E Minor | 0 | 9A | 90 BPM | ||
Six Lieder, Op.13: 6. Die stille Lotosblume | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | A♭ Major | 0 | 4B | 94 BPM | ||
Messe solennelle, H 20: Resurrexit - Original Version | Hector Berlioz, Gilles Cachemaille, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | C Minor | 2 | 5A | 119 BPM |