On March 27, 2007, the song "The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 3 in C sharp major, BWV 848" was released by Luc Beauséjour. With The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 3 in C sharp major, BWV 848 being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 48 in Bach, J.S.: The Well-Tempered Clavier , Book I by Luc Beauséjour. Based on our statistics, The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 3 in C sharp major, BWV 848's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 3 in C sharp major, BWV 848 by Luc Beauséjour is Allegro (fast, quick, and bright), since this song has a tempo of 125 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Keyboard Suite in A Major, HWV 426: II. Allemande | George Frideric Handel, Andrei Gavrilov | D Minor | 0 | 7A | 176 BPM | ||
King Arthur, Z. 628, Act I: No. 1, Overture | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | F Major | 0 | 7B | 112 BPM | ||
Suite in D Minor, HWV 437: III. Saraband | George Frideric Handel, Luc Beauséjour | D Minor | 0 | 7A | 78 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 18 in G sharp minor, BWV 863 | Luc Beauséjour | G Minor | 3 | 6A | 116 BPM | ||
Concerto for 2 Oboes in C Major, Op. 7, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 68 BPM | ||
Concerto Grosso No. 1 in A Major (after D. Scarlatti): I. Adagio | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 1 | 4B | 81 BPM | ||
Boccherini: Cello Concerto No. 7 in G Major, G. 480: I. Allegro | Luigi Boccherini, Steven Isserlis, Ostrobothnian Chamber Orchestra, Juha Kangas | F Major | 5 | 7B | 107 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: V. Rejouissance | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 140 BPM | ||
Premier Concert en sol majeur: VI. Menuet en Trio | François Couperin, Luc Beauséjour, Chantal Remillard, Margaret Little, Grégoire Jeay, Matthew Jennejohn, Mathieu Lussier | F♯ Minor | 1 | 11A | 87 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 21 in B flat major, BWV 866 | Luc Beauséjour | E Major | 3 | 12B | 125 BPM |