The Red Army Choir's 'Le barbier de Séville, Acte I: Largo al factotum della cita' came out on December 4, 2015. With this song being about 5 minutes long, at 5:20, "Le barbier de Séville, Acte I: Largo al factotum della cita" by The Red Army Choir is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Joe Dassin, The Red Army Choir's "Joe Dassin chante avec Les Choeurs de l'Armée Rouge" album is number 1 out of 23. Based on our statistics, Le barbier de Séville, Acte I: Largo al factotum della cita's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le barbier de Séville, Acte I: Largo al factotum della cita by The Red Army Choir to be Allegro (fast, quick, and bright) because the track has a tempo of 138 テンポ, a half-time of 69テンポ, and a double-time of 276 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Cadena G - Bonus Track | RFCM Symphony Orchestra | G Minor | 2 | 6A | 170 BPM | ||
Dolente immagine di Fille mia | Vincenzo Bellini, Cecilia Bartoli, James Levine | E Minor | 0 | 9A | 82 BPM | ||
Casse-noisette : Danses de Casse-noisette | Wiener Philharmoniker, Herbert von Karajan | D Major | 2 | 10B | 128 BPM | ||
Gaite Parisienne (after J. Offenbach): 23. Barcarolle | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | D Major | 0 | 10B | 113 BPM | ||
Coppélia, Act I: Valse Lente | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | E♭ Major | 2 | 5B | 91 BPM | ||
Valse triste | Jean Sibelius, Bratislava Chamber Ensemble, Bratislava Radio Symphony Orchestra, Slovak Philharmonic | G Major | 0 | 9B | 170 BPM | ||
Sang Viennois | Cérémonie De Mariage | C Major | 4 | 8B | 110 BPM | ||
La traviata / Act 1: "Libiamo ne'lieti calici" | Giuseppe Verdi, Rolando Villazón, Anna Netrebko, Helene Schneiderman, Herman Wallen, Salvatore Cordella, Paul Gay, Wiener Philharmoniker, Carlo Rizzi, Vienna State Opera Chorus | B♭ Major | 2 | 6B | 116 BPM | ||
Verdi: La traviata, Act 1: Brindisi. "Libiamo ne'lieti calici" (Alfredo, Violetta, Coro) | Giuseppe Verdi, Maria Callas, Coro Cetra, Francesco Albanese, Gabriele Santini, Orchestra Sinfonica Di Torino Della Rai | B♭ Major | 2 | 6B | 195 BPM | ||
Frühlingsstimmen, Op. 410 | Johann Strauss II, Wiener Philharmoniker, Clemens Krauss | F♯ Minor | 2 | 11A | 76 BPM |