"El Niño: Hail Mary, Gracious!" by John Adams, Kent Nagano, Deutsches Symphonie-Orchester Berlin was released on 2001. With this song being about 5 minutes long, at 4:47, "El Niño: Hail Mary, Gracious!" by John Adams, Kent Nagano, Deutsches Symphonie-Orchester Berlin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 24 in El Niño by John Adams, Kent Nagano, Deutsches Symphonie-Orchester Berlin. In terms of popularity, El Niño: Hail Mary, Gracious! is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of El Niño: Hail Mary, Gracious! by John Adams, Kent Nagano, Deutsches Symphonie-Orchester Berlin is Andante (at a walking pace), since this song has a tempo of 99 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adams: Nixon in China: Act III - "I Have No Offspring." | John Adams, Edo de Waart, Orchestra of St. Luke's | C Minor | 2 | 5A | 88 BPM | ||
El Niño: In the Day of the Great Slaughter | John Adams, Kent Nagano, Deutsches Symphonie-Orchester Berlin | E♭ Minor | 5 | 2A | 78 BPM | ||
Gloria, FP 144: 1. Gloria | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | C Major | 3 | 8B | 109 BPM | ||
Belshazzar's Feast: Thus spake Isaiah | William Walton, Christopher Purves, Huddersfield Choral Society, Leeds Philharmonic Chorus, Laudibus, English Northern Philharmonia, Simon Lindley, Paul Daniel | B♭ Major | 1 | 6B | 132 BPM | ||
4 Lieder, Op. 27: 2. Cäcilie | Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur | E♭ Minor | 3 | 2A | 97 BPM | ||
Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Major | 1 | 8B | 190 BPM | ||
Stabat Mater, Op. 58, B. 71: V. Tui nati vulnerati. Andante con moto quasi allegretto | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Jiří Bělohlávek, Jaroslav Brych | G Major | 0 | 9B | 88 BPM | ||
Offenbach: Les Contes d'Hoffman, Act 4: "Adieu! je t'abandonne" (Stella, la Muse, Hoffmann, Lindorf, Chorus) | Jacques Offenbach, Kent Nagano, Orchestre De L'Opéra National De Lyon, Martin Sauer | A Major | 1 | 11B | 88 BPM | ||
Strauss, R: 8 Lieder, Op. 49: I. Waldseligkeit | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | D♭ Major | 0 | 3B | 81 BPM | ||
Spartacus, Act II: Parting of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM |