"6 Romanian Folk Dances, BB 68, Sz. 56: 4. Dance from Bucsum (Arr. Campbell)" by Béla Bartók, Nicola Benedetti, Benedetti Foundation Orchestra, Natalia Luis-Bassa was released on January 24, 2020. The duration of 6 Romanian Folk Dances, BB 68, Sz. 56: 4. Dance from Bucsum (Arr. Campbell) is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. 6 Romanian Folk Dances, BB 68, Sz. 56: 4. Dance from Bucsum (Arr. Campbell)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 3 in the song's album "Romanian Folk Dances". In this album, this song's track order is #1. 6 Romanian Folk Dances, BB 68, Sz. 56: 4. Dance from Bucsum (Arr. Campbell) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Romanian Folk Dances, BB 68, Sz. 56: 4. Dance from Bucsum (Arr. Campbell) by Béla Bartók, Nicola Benedetti, Benedetti Foundation Orchestra, Natalia Luis-Bassa having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Violin Concerto in A minor, Op. 82: 1. Moderato | Alexander Glazunov, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | F Major | 1 | 7B | 80 BPM | ||
Schwanengesang, S. 560: No. 4 Ständchen | Franz Liszt, Vladimir Horowitz | D Major | 0 | 10B | 74 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Beau soir, L. 6 (Arranged for Violin and Piano by Jascha Heifetz) | Claude Debussy, Joshua Bell | F♯ Minor | 0 | 11A | 86 BPM | ||
7 Canciones populares españolas - Arranged by Mischa Maisky: No.5: Nana | Manuel de Falla, Mischa Maisky, Pavel Gililov | A Minor | 0 | 8A | 89 BPM | ||
Deux mélodies hébraïques, M. A22: I. Kaddisch (Transcr. by Richard Tognetti for Cello and Orchestra ) | Maurice Ravel, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | C Minor | 1 | 5A | 82 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Melodie from "Orfeo ed Euridice" (Dance of the Blessed Spirits) - Arr. Giovanni Sgambati | Christoph Willibald Gluck, Evgeny Kissin | D Minor | 0 | 7A | 103 BPM | ||
Music for a while | Henry Purcell, Adrien La Marca, Thomas Hoppe | G Major | 0 | 9B | 104 BPM |