"Membra Jesu nostri, BuxWV 75: Ad pedes. Ecce super montes pedes" by Dietrich Buxtehude, RossoPorpora Ensemble, Walter Testolin was released on March 31, 2015. With Membra Jesu nostri, BuxWV 75: Ad pedes. Ecce super montes pedes being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 42 in Buxtehude: Membra Jesu nostri, BuxWV 75 by Dietrich Buxtehude, Walter Testolin, RossoPorpora Ensemble. Membra Jesu nostri, BuxWV 75: Ad pedes. Ecce super montes pedes is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Membra Jesu nostri, BuxWV 75: Ad pedes. Ecce super montes pedes by Dietrich Buxtehude, RossoPorpora Ensemble, Walter Testolin is Larghetto (rather broadly), since this song has a tempo of 64 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: VIII. Virgo virginum | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: VII. Pt. 6 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Sonata Sexta in F Minor for Violin: II. Allegro | Daniel Purcell, La Rêveuse, Florence Bolton, Benjamin Perrot, Stephan Dudermel | B♭ Minor | 0 | 3A | 135 BPM | ||
Ons is gheboren een kindekijn, SwWV 315: IV. Variation IV | Jan Pieterszoon Sweelinck, Gustav Auzinger | C Major | 0 | 8B | 92 BPM | ||
Violin Sonata No. 1 in D Minor: I. Adagio | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | D♭ Minor | 1 | 12A | 125 BPM | ||
Partita GWV 150: IV. Sarabande | Christoph Graupner, Geneviève Soly | B Minor | 1 | 10A | 145 BPM | ||
Overture for Flute and Bassoon in G Major: VII. Air | Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria | F♯ Major | 2 | 2B | 131 BPM | ||
Neubrandenburg Concerto No. 1: II. Aria (Transcr. By Harer, after Bach's Aria variata alla maniera italiana BWV 989) | Johann Sebastian Bach, Christoph Harer, La Festa Musicale | F♯ Minor | 0 | 11A | 89 BPM | ||
Messa Della Domenica: Kyrye I | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: I. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM |