Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra's ' "Mathis Der Maler, 1st Tableau, Scene 3: Staub am Himmel (Regina/Schwalb/Mathis)" was released on its scheduled release date, April 1, 1995. With This song being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Paul Hindemith, Rafael Kubelik's "Hindemith: Mathis der Maler" album is number 10 out of 61. Based on our statistics, Mathis Der Maler, 1st Tableau, Scene 3: Staub am Himmel (Regina/Schwalb/Mathis)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Mathis Der Maler, 1st Tableau, Scene 3: Staub am Himmel (Regina/Schwalb/Mathis) by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 121 テンポ, a half-time of 60テンポ, and a double-time of 242 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 81 BPM | ||
String Quartet No.12 in F major, Op.96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM | ||
Träumerei, Op. 15 No. 7 | Robert Schumann, Michael Collins, Michael McHale | F Major | 0 | 7B | 139 BPM | ||
Poulenc: Cello Sonata, FP 143: II. Cavatine | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | F♯ Major | 0 | 2B | 77 BPM | ||
Ludus Tonalis: II. Fuga prima in C (Lento) | Paul Hindemith, Alena Cherny | A Major | 2 | 11B | 124 BPM | ||
String Quartet in G Minor, Op. 10: II. Assez vif et bien rythmé | Claude Debussy, Quatuor Ébène | C Minor | 2 | 5A | 160 BPM | ||
The Four Temperaments for Piano and String Orchestra: Var. 2. Sanguinisch. Walzer | Paul Hindemith, Anna Gourari, Orchestra della Svizzera Italiana, Markus Poschner | E Major | 2 | 12B | 141 BPM | ||
Trio in A Minor, Op. 114: II. Adagio | Johannes Brahms, Martin Fröst, Roland Pöntinen, Torleif Thedéen | D Major | 0 | 10B | 93 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM |