Reinbert de Leeuw, Schönberg Ensemble, Barbara Sukowa made "Im wunderschonen Monat Mai (After R. Schumann & F. Schubert): No. 17. Ein Jungling Liebt Ein Madchen" available on September 1, 2014. With Im wunderschonen Monat Mai (After R. Schumann & F. Schubert): No. 17. Ein Jungling Liebt Ein Madchen being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Reinbert de Leeuw, Schönberg Ensemble, Barbara Sukowa's "Im wunderschönen Monat Mai" album is number 17 out of 21. Based on our statistics, Im wunderschonen Monat Mai (After R. Schumann & F. Schubert): No. 17. Ein Jungling Liebt Ein Madchen's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Im wunderschonen Monat Mai (After R. Schumann & F. Schubert): No. 17. Ein Jungling Liebt Ein Madchen by Reinbert de Leeuw, Schönberg Ensemble, Barbara Sukowa to be Allegro (fast, quick, and bright) because the track has a tempo of 153 テンポ, a half-time of 76テンポ, and a double-time of 306 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in B Minor, K.87 | Domenico Scarlatti, Vladimir Horowitz | B Minor | 0 | 10A | 76 BPM | ||
Le Chat Noir | Elena Kats-Chernin, Tamara Anna Cislowska | C Major | 0 | 8B | 66 BPM | ||
Fantasiestücke, Op. 12: I. Des Abends | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 141 BPM | ||
Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts | Charles Ives, Marc-André Hamelin | E♭ Major | 0 | 5B | 72 BPM | ||
Preludes, Op. 28: No. 2 in A Minor, Lento | Frédéric Chopin, Grigory Sokolov | E Minor | 0 | 9A | 83 BPM | ||
Im wunderschonen Monat Mai (After R. Schumann & F. Schubert): No. 5. Gretchen Am Spinnrade | Reinbert de Leeuw, Schönberg Ensemble, Barbara Sukowa | A Minor | 2 | 8A | 100 BPM | ||
Nocturne No.9 in E Minor, H.46 | John Field, Elizabeth Joy Roe | E Minor | 0 | 9A | 74 BPM | ||
Intermezzo No. 7 in A Minor, Op. 76 - Moderato semplice - Remastered | Johannes Brahms, Glenn Gould | C Major | 0 | 8B | 131 BPM | ||
3 Intermezzi, Op. 117: No. 3 in C-Sharp Minor, Andante con moto | Johannes Brahms, Glenn Gould | E♭ Minor | 0 | 2A | 79 BPM | ||
Grabstein für Stephan, Op. 15c | György Kurtág, Asko Schönberg, Reinbert de Leeuw | G Major | 0 | 9B | 65 BPM |