"Fantasiestücke, Op. 12: I. Des Abends" by Robert Schumann, Martha Argerich was released on January 15, 1976. The duration of Fantasiestücke, Op. 12: I. Des Abends is about 3 minutes long, at 3:25. Based on our data, "Fantasiestücke, Op. 12: I. Des Abends" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 11 in the song's album "Schumann: Fantaisie, Fantasiestücke - Argerich". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Italy. Based on our statistics, Fantasiestücke, Op. 12: I. Des Abends's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Fantasiestücke, Op. 12: I. Des Abends by Robert Schumann, Martha Argerich having a テンポ of 141 with a half-time of 70 テンポ and a double-time of 282 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schluss | Fanny Mendelssohn, Heather Schmidt | C Major | 0 | 8B | 118 BPM | ||
Piano Concerto in C-Sharp Minor, Op. 45: III. Largo | Amy Beach, Alan Feinberg, Nashville Symphony Orchestra, Kenneth Schermerhorn | F♯ Minor | 0 | 11A | 88 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: II. Villanella (Quadro III | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 136 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Mendelssohn-Hensel: 6 Mélodies, Opp. 4 & 5: No. 4 in B Major | Fanny Mendelssohn, Sophie Pacini | D♭ Minor | 0 | 12A | 68 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
String Quartet No. 19 in C Major, K. 465 "Dissonance": I. Adagio - Allegro | Wolfgang Amadeus Mozart, Emerson String Quartet | C Major | 1 | 8B | 74 BPM | ||
Andante spianato et Grande polonaise brillante, Op. 22: Polonaise. Allegro molto | Frédéric Chopin, Martha Argerich | E♭ Major | 1 | 5B | 108 BPM | ||
3 Romanzen, Op. 94: Einfach, innig | Robert Schumann, Jozsef Kiss, Jenő Jandó | A Major | 1 | 11B | 87 BPM | ||
Etudes-Tableaux, Op. 33, No. 6 in E-Flat Major | Hélène Grimaud | E♭ Major | 2 | 5B | 134 BPM |