"Atys, Acte II, Scène 2: "Je veux joindre" (Cybèle)" by Jean-Baptiste Lully, Guillemette Laurens, Jean-François Gardeil, Les Arts Florissants, William Christie was released on February 28, 1987. The duration of Atys, Acte II, Scène 2: "Je veux joindre" (Cybèle) is about 3 minutes long, at 3:16. Based on our data, "Atys, Acte II, Scène 2: "Je veux joindre" (Cybèle)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jean-Baptiste Lully, Les Arts Florissants, William Christie's "Lully: Atys" album is number 3 out of 74. On top of that, France appears to be the country where this track was created. The popularity of Atys, Acte II, Scène 2: "Je veux joindre" (Cybèle) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Atys, Acte II, Scène 2: "Je veux joindre" (Cybèle) by Jean-Baptiste Lully, Guillemette Laurens, Jean-François Gardeil, Les Arts Florissants, William Christie to be Vivace (lively and fast) because the track has a tempo of 174 テンポ, a half-time of 87テンポ, and a double-time of 348 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo) | Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock Solisten | E♭ Major | 1 | 5B | 62 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: II. Largo | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | F Major | 0 | 7B | 70 BPM | ||
Abdelazer, Z.570: 2. Rondeau | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 1 | 12A | 97 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | B♭ Major | 2 | 6B | 99 BPM | ||
Armide, LWV 71, Act I Scene 3: Armide est encore plus aimable (Hidraot, Phénice, Chœur) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Tomislav Lavoie, Marie Perbost, Chœur de l'Opéra de Dijon | F Major | 1 | 7B | 139 BPM | ||
Le Bourgeois Gentilhomme: Les trois espagnols ensemble | Jean-Baptiste Lully, La Simphonie Du Marais, Hugo Reyne, Philippe Roche, Bruno Boterf, Yves Coudray | F♯ Minor | 1 | 11A | 101 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 93 BPM |