"Tod und Verklarung (Death and Transfiguration), Op. 24, TrV 158" by Richard Strauss, Slovak Philharmonic, Zdeněk Košler was released on October 24, 1990. Tod und Verklarung (Death and Transfiguration), Op. 24, TrV 158 appears to be safe for all ages as it is not explicit. There are a total of 3 in the song's album "STRAUSS, R.: Don Juan / Till Eulenspiegel / Death and Transfiguration". In this album, this song's track order is #2. Tod und Verklarung (Death and Transfiguration), Op. 24, TrV 158 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tod und Verklarung (Death and Transfiguration), Op. 24, TrV 158 by Richard Strauss, Slovak Philharmonic, Zdeněk Košler having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der fliegende Hollander (the Flying Dutchman): Overture | Richard Wagner, Slovak Philharmonic, Michael Halasz | F Minor | 0 | 4A | 93 BPM | ||
Der Rosenkavalier, Op. 59 / Act 2: "Rofrano! Rofrano!" - "Mir ist die Ehre widerfahren" | Richard Strauss, Irmgard Seefried, Rita Streich, Ilona Steingruber, Staatskapelle Dresden, Karl Böhm, Chor der Staatsoper Dresden | G Major | 1 | 9B | 64 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Holberg Suite, opus 40:Air (Andante religioso) | Academy of St. Martin in the Fields | G Minor | 1 | 6A | 67 BPM | ||
Requiem In D Minor, K. 626: Sequence: II. Tuba Mirum | Slovak Philharmonic, Jozef Kundlák, Slovak Philharmonic Chorus, Vladimir Ruso, Jaroslava Horska, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Wolfgang Amadeus Mozart | F Major | 0 | 7B | 94 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das Nachtlied | Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 100 BPM | ||
Firebird Suite: Danse infernale | Igor Stravinsky, Zdeněk Košler, Slovak Philharmonic | D♭ Major | 1 | 3B | 90 BPM | ||
Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto | Johannes Brahms, David Zinman | E Major | 0 | 12B | 92 BPM | ||
6 Morceaux, Op. 51: No. 6. Valse sentimentale (arr. N. Mercz): Valse sentimentale in F Minor Op. 51, No. 6 | Nora Mercz, Pyotr Ilyich Tchaikovsky, Janos Balint | F Minor | 0 | 4A | 71 BPM |