"Symphony No. 4: II. Andante poco adagio" by Antonio Casimir Cartellieri, Evergreen Symphony Orchestra, Gernot Schmalfuss was released on August 7, 2012. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 15 in Cartellieri: Symphonies Nos. 1-4 by Antonio Casimir Cartellieri, Gernot Schmalfuss. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Symphony No. 4: II. Andante poco adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 4: II. Andante poco adagio by Antonio Casimir Cartellieri, Evergreen Symphony Orchestra, Gernot Schmalfuss is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in C Major: III. Menuetto. Allegro | Antonio Casimir Cartellieri, Evergreen Symphony Orchestra, Gernot Schmalfuss | B Minor | 2 | 10A | 113 BPM | ||
Sinfonia In F Major, Wq. 183/3, H. 665: II. Larghetto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Der Fischer und das Milchmädchen: XVII. Vivace | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Partita No. 1 in B-Flat Major, BWV 825 (Arr. for Small Orchestra by Thomas Oehler): II. Allemande | Johann Sebastian Bach, Trevor Pinnock, Royal Academy of Music Soloists Ensemble, The Glenn Gould School | B♭ Major | 0 | 6B | 78 BPM | ||
Sonatina in G Major, Op. 55, No. 2: I. Allegretto | Nelita True | G Major | 1 | 9B | 123 BPM | ||
Symphony in D Major, G. 490: III. Allegro | Luigi Boccherini, German Chamber Academy Neuss, Johannes Goritzki | C Major | 1 | 8B | 134 BPM | ||
La celebre Nativita del Redentore: Scene 6: Aria: Del verbo incarnato (Amor Divino) | Antonio Casimir Cartellieri, Katerina Beranova, Andreas Karasiak, Ray M. Wade, Alejandro Marco-Buhrmester, Chorus Musicus Köln, Neue Orchester, Christoph Spering | G Major | 1 | 9B | 58 BPM | ||
When Crossing the Wilderness SHZ 469 | Laestadian Lutheran Church, Kaitlyn Huhta, Katja Vaatainen, Ashley Niemela | F Major | 0 | 7B | 76 BPM | ||
Piano Trio No. 12, Hob. XV: 36: Piano Trio No. 12, Hob. XV: 36: I. Allegro moderato | Joseph Haydn, Trio Gaspard | E♭ Major | 1 | 5B | 142 BPM | ||
Stamitz, C : Flute Concerto in G Major, Op. 29: I. Allegro | Carl Stamitz, Jean-Pierre Rampal, Raymond Leppard, Scottish Chamber Orchestra | C Major | 1 | 8B | 170 BPM |