Carl Stamitz, Jean-Pierre Rampal, Raymond Leppard, Scottish Chamber Orchestra made "Stamitz, C : Flute Concerto in G Major, Op. 29: I. Allegro" available on January 1, 1983. Since Stamitz, C : Flute Concerto in G Major, Op. 29: I. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 9 in C., A. & J. Stamitz: Flute Concertos by Jean-Pierre Rampal, Raymond Leppard, Scottish Chamber Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Stamitz, C : Flute Concerto in G Major, Op. 29: I. Allegro is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Stamitz, C : Flute Concerto in G Major, Op. 29: I. Allegro by Carl Stamitz, Jean-Pierre Rampal, Raymond Leppard, Scottish Chamber Orchestra is Vivace (lively and fast), since this song has a tempo of 170 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in C Major, Op. 13/16 No. 5: I. Grave - Allegro assai | Carl Stamitz, Matthias Bamert, London Mozart Players | C Major | 0 | 8B | 84 BPM | ||
12 Melodische Tonstücke for Piano, Op. 70: No. 7 Prelude | The Gerst Ensemble | D Major | 0 | 10B | 98 BPM | ||
Suite for Cello and Orchestra, Op. 16: II. Sérénade (andantino) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | G Minor | 0 | 6A | 141 BPM | ||
Keyboard Sonatina In C Major, Op. 36, No. 3: II. Un Poco Adagio | Muzio Clementi, Balazs Szokolay | G Major | 0 | 9B | 170 BPM | ||
Variations On A Rococo Theme, Op.33, TH.57: Variazione III: Andante sostenuto | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 103 BPM | ||
Violin Concerto in D Minor, Op. 7 No. 1: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | D♭ Minor | 2 | 12A | 173 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: I. Allegro | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | C Major | 0 | 8B | 124 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
String Quartet No. 12 In F Major, Op. 96, B.179 - "American": 4. Finale (Vivace ma non troppo) | Antonín Dvořák, Emerson String Quartet | F Major | 1 | 7B | 84 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM |