Henri Desmarets, Hanna Bayodi, Stephanie Revidat, Francois-Nicolas Geslot, Sebastien Droy, Benoit Arnould, Le Concert Spirituel, Herve Niquet's 'Cum invocarem: Recitative: Signatum est (Soprano)' came out on January 1, 2005. With Cum invocarem: Recitative: Signatum est (Soprano) being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 23 out of 26 in Desmarets, H.: Grand Motets, Vol. 2 - De Profundis (Le Concert Spirituel) by Henri Desmarets, Le Concert Spirituel, Herve Niquet. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Cum invocarem: Recitative: Signatum est (Soprano) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cum invocarem: Recitative: Signatum est (Soprano) by Henri Desmarets, Hanna Bayodi, Stephanie Revidat, Francois-Nicolas Geslot, Sebastien Droy, Benoit Arnould, Le Concert Spirituel, Herve Niquet is Moderato (at a moderate speed), since this song has a tempo of 114 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe à double chœur: Et incarnatus est | Henri Desmarets, Jordi Savall, Le Concert Des Nations | F♯ Major | 1 | 2B | 91 BPM | ||
Médée, H. 491, Act II: Passacaille | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet | C Minor | 1 | 5A | 86 BPM | ||
Membra Jesu Nostri, BuxWV 75: Concerto [Ad pedes] | Dietrich Buxtehude, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Ricercar Consort, Matthias Vieweg | D♭ Major | 3 | 3B | 114 BPM | ||
Passacaglia in D Minor, BuxWV 161 | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D Minor | 1 | 7A | 177 BPM | ||
Sinfonia | Alessandro Stradella, Le Banquet Céleste, Damien Guillon | D♭ Major | 2 | 3B | 120 BPM | ||
Télémaque & Calypso, Prologue Scene 1: Descendez, régnez sur la terre (Les vertus, les muses et les arts) | Andre Cardinal Destouches, Les Ombres, Sylvain Sartre, Margaux Blanchard, Les Chantres du Centre de Musique Baroque de Versailles | F Minor | 3 | 4A | 85 BPM | ||
Armide, LWV 71, Act I Scene 3: Que la douceur d'un triomphe (Sidonie, Phénice, Chœur) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Eva Zaïcik, Marie Perbost, Chœur de l'Opéra de Dijon | C Major | 3 | 8B | 112 BPM | ||
Te Deum "de Lyon": II. Te Deum laudamus | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Eugénie Lefebvre | B♭ Major | 4 | 6B | 106 BPM | ||
Armide, LWV 71, Act I Scene 3: Sarabande (II) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | C Major | 3 | 8B | 112 BPM | ||
Mondonville: In exitu Israel: II. Chœur. "Mare vidit" | Jean-Joseph Cassanéa De Mondonville, Emmanuelle Haïm | F Major | 2 | 7B | 119 BPM |