Johann Sebastian Bach, Ton Koopman, Anne Grimm, Peter de Groot, Joost van der Linden, Donald Bentvelsen's '"Nach dir, Herr, verlanget mich" BWV 150: Coro: "Meine Augen sehen stets zu dem Herrn"' came out on February 20, 2007. The duration of "Nach dir, Herr, verlanget mich" BWV 150: Coro: "Meine Augen sehen stets zu dem Herrn" is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. "Nach dir, Herr, verlanget mich" BWV 150: Coro: "Meine Augen sehen stets zu dem Herrn"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Ton Koopman's "J.S. Bach: Cantatas Vol. 1" album is number 22 out of 67. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, "Nach dir, Herr, verlanget mich" BWV 150: Coro: "Meine Augen sehen stets zu dem Herrn" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of "Nach dir, Herr, verlanget mich" BWV 150: Coro: "Meine Augen sehen stets zu dem Herrn" by Johann Sebastian Bach, Ton Koopman, Anne Grimm, Peter de Groot, Joost van der Linden, Donald Bentvelsen to be Moderato (at a moderate speed) because the track has a tempo of 115 テンポ, a half-time of 58テンポ, and a double-time of 230 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Singet dem Herrn ein neues Lied, BWV 225: II. Coro "Wie sich ein Vat’r erbarmet" - Aria "Gott nimm dich ferner unser an" | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Dorothee Mields, Damien Guillon, Thomas Hobbs, Peter Kooij | A Major | 2 | 11B | 81 BPM | ||
Gott fähret auf mit Jauchzen BWV 43 - Seconda parte | Johann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra & Choir, Johannete Zomer, Sandrine Piau, Sibylla Rubens, The Amsterdam Baroque Orchestra & Opera, Johannette Zomer | D Minor | 5 | 7A | 122 BPM | ||
Buxtehude: Mein Gemüt erfreuet sich, BuxWV 72 | Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Michael Chance, Peter Kooij, Hannover Knabenchor, Amsterdam Baroque Orchestra | B Major | 1 | 1B | 87 BPM | ||
The Fairy Queen, Z. 629 / Act 1: Song In Two Parts: "Come, come, come, let us leave" | Henry Purcell, Eiddwen Harrhy, Stephen Varcoe, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 135 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Allegro | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
Stabat Mater: Virgo virginum praeclara | Agostino Steffani, Daniel Behle, Julian Prégardian, Salvo Vitale, I Barocchisti, Diego Fasolis | C Minor | 2 | 5A | 96 BPM | ||
Sonata in G, Op.1, No.9: 4. Adagio | Arcangelo Corelli, Monica Huggett, Alison Bury, Hopkinson Smith, Ton Koopman, Jaap Ter Linden | F♯ Major | 1 | 2B | 94 BPM | ||
Dixit Dominus, HWV 232: Virgam virtutis tuae | George Frideric Handel, Ruth Massey, Harry Christophers, The Sixteen | A Major | 0 | 11B | 60 BPM | ||
Heilig ist Gott, Wq. 217: Heilig ist Gott, Wq. 217: 1. Ariette. Herr, wert, daß Scharen der Engel (A) | Carl Philipp Emanuel Bach, Wiebke Lehmkuhl, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | F♯ Major | 1 | 2B | 79 BPM | ||
Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Peter de Groot, Ian Honeyman, Peter Kooij, Paul Dombrecht | B Minor | 2 | 10A | 81 BPM |