Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman's 'Pièces de viole du Cinquième Livre, suite en mi mineur/majeur: Allemande la Bailly Duchené, V. 95 (1725)' came out on September 27, 2011. The duration of Pièces de viole du Cinquième Livre, suite en mi mineur/majeur: Allemande la Bailly Duchené, V. 95 (1725) is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Pièces de viole du Cinquième Livre, suite en mi mineur/majeur: Allemande la Bailly Duchené, V. 95 (1725)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman's "Marin Marais: Pièces de viole des Cinq Livres" album is number 33 out of 83. In terms of popularity, Pièces de viole du Cinquième Livre, suite en mi mineur/majeur: Allemande la Bailly Duchené, V. 95 (1725) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pièces de viole du Cinquième Livre, suite en mi mineur/majeur: Allemande la Bailly Duchené, V. 95 (1725) by Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman to be Andante (at a walking pace) because the track has a tempo of 93 テンポ, a half-time of 46テンポ, and a double-time of 186 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nisi Dominus, RV 608: II. Vanum | Antonio Vivaldi, Ensemble Matheus, Jean-Christophe Spinosi, Philippe Jaroussky | F Major | 0 | 7B | 167 BPM | ||
Alcione - 1Ère Suite - Airs Pour Les Driades Et Les Bergers - Passepied I & Ii Pour Les Mêmes | Jordi Savall, Marin Marais | D Minor | 1 | 7A | 112 BPM | ||
Concerto di Flauti, S.D945: II. Allegro | Alessandro Marcello, Dorothee Oberlinger | C Major | 1 | 8B | 138 BPM | ||
Mystery (Rosary) Sonata No. 2, "The Visitation": II. Allaman - III. Presto | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 1 | 4B | 135 BPM | ||
Sonata sesta for violino solo: II. Allegro [1] | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 3 | 9A | 112 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Weint nicht um meinen Tod | Johann Bach, Vox Luminis, Lionel Meunier | C Minor | 0 | 5A | 67 BPM | ||
Klag Lied in D Minor, BuxWV 76: II. Contrapunctus II & Evolutio | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Maÿlis de Villoutreys | E Minor | 1 | 9A | 83 BPM | ||
Euridice: Sinfonia | Giulio Caccini, Rinaldo Alessandrini, Concerto Italiano | G Major | 2 | 9B | 79 BPM |