Jordi Savall, Marin Marais's 'Alcione - 1Ère Suite - Airs Pour Les Driades Et Les Bergers - Passepied I & Ii Pour Les Mêmes' came out on August 25, 2009. With Alcione - 1Ère Suite - Airs Pour Les Driades Et Les Bergers - Passepied I & Ii Pour Les Mêmes being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jordi Savall's "Marin Marais: Alcione - Suite Des Airs À Joüer (1706)" album is number 7 out of 27. On top of that, Switzerland appears to be the country where this track was created. In terms of popularity, Alcione - 1Ère Suite - Airs Pour Les Driades Et Les Bergers - Passepied I & Ii Pour Les Mêmes is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Alcione - 1Ère Suite - Airs Pour Les Driades Et Les Bergers - Passepied I & Ii Pour Les Mêmes by Jordi Savall, Marin Marais to be Moderato (at a moderate speed) because the track has a tempo of 112 テンポ, a half-time of 56テンポ, and a double-time of 224 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scherzi musicali, cioè arie, et madrigali in stil recitativo: Zefiro torna, SV 251 | Claudio Monteverdi, Magdalena Kozená, Anna Prohaska, La Cetra Barockorchester Basel, Andrea Marcon | G Major | 2 | 9B | 101 BPM | ||
Cantiga A Virgen | Traditional, Jordi Savall, Pedro Estevan | B♭ Major | 3 | 6B | 86 BPM | ||
Muy triste será mi vida | Juan Urrede, Jordi Savall, Hespèrion XX | A Minor | 1 | 8A | 80 BPM | ||
Torre De La Niña | Manuel Ponce, Jordi Savall | C Major | 1 | 8B | 114 BPM | ||
Cabezón: Tiento IX del quinto tono | Antonio de Cabezón, Jordi Savall | F Major | 1 | 7B | 102 BPM | ||
Ainhara & Canto de ciego I | Traditional, Jordi Savall, Pedro Estevan | B♭ Major | 3 | 6B | 86 BPM | ||
Water Music - Suite #3 In G, HWV 350 - Menuet 2 | George Frideric Handel, Jordi Savall | D♭ Minor | 0 | 12A | 97 BPM | ||
Concert XLI: Le Retour | Monsieur de Sainte-Colombe, Philippe Pierlot, Lucile Boulanger | C Major | 1 | 8B | 70 BPM | ||
Si D'Amor Pena Sentís | Anonymous, Jordi Savall | D Major | 0 | 10B | 103 BPM | ||
La Bella Malmaridada | Gabriel Mena, Jordi Savall | G Minor | 0 | 6A | 76 BPM |