"Berceuse, op. 57, Des-Dur: Wiegenlied" by Peter Schmalfuss was released on October 25, 2007. With this song being about 5 minutes long, at 5:15, "Berceuse, op. 57, Des-Dur: Wiegenlied" by Peter Schmalfuss is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 12 in Frédéric Chopin: Klavierwerke by Peter Schmalfuss. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Berceuse, op. 57, Des-Dur: Wiegenlied is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Berceuse, op. 57, Des-Dur: Wiegenlied by Peter Schmalfuss is Andante (at a walking pace), since this song has a tempo of 94 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | D Major | 1 | 10B | 114 BPM | ||
Klavierkonzert Nr. 4 G-Dur op. 58 - II. Andante con moto | Czech Symphony Orchestra, Peter Schmalfuss, Jirí Malát | E Minor | 0 | 9A | 88 BPM | ||
Souvenirs de Bohême en forme de Polka, op. 12: Nr. 2 | Bedřich Smetana, Peter Schmalfuss | C Major | 1 | 8B | 117 BPM | ||
Songs without Words, Book VI, op.67: No.34 in C major "Spinning Song" | Peter Schmalfuss | C Major | 1 | 8B | 165 BPM | ||
Liszt: Consolation No.3 in D Flat major | Daniel Pollack | D♭ Major | 0 | 3B | 74 BPM | ||
Gebirgswiese | Edvard Grieg, Peter Schmalfuss | F Major | 1 | 7B | 88 BPM | ||
Nocturne No. 12 In G Major, H. 58d: Nocturne No. 12 In G Major | Benjamin Frith, John Field | G Major | 0 | 9B | 125 BPM | ||
Thema und Variationen, Op. 13 | Franz Strauss, Peter Schmalfuss, Dora Bratchkova, Marc Engelhardt, Xiao-Ming Han, Rainer Müller-van Recum | E♭ Major | 0 | 5B | 66 BPM | ||
" Rêves " ohne op. 4: Au Salon | Bedřich Smetana, Peter Schmalfuss | E Major | 2 | 12B | 99 BPM | ||
" Faust " , Ballettmusik: Nr. 5 Moderato con moto | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | A Major | 0 | 11B | 80 BPM |