Walter Kollo, Willi Kollo, Hermann Prey, Wannsee-Sanger, Cologne Radio Orchestra, Heinz Geese's ' "Das ist der Fruhling von Berlin" was released on its scheduled release date, August 1, 2010. The duration of This song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Das ist der Fruhling von Berlin's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hermann Prey, Heinz Geese's "Ich sing mein schonstes Lied" album is number 2 out of 20. In terms of popularity, Das ist der Fruhling von Berlin is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Das ist der Fruhling von Berlin by Walter Kollo, Willi Kollo, Hermann Prey, Wannsee-Sanger, Cologne Radio Orchestra, Heinz Geese to be Moderato (at a moderate speed) because the track has a tempo of 115 テンポ, a half-time of 58テンポ, and a double-time of 230 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Man müsste nochmal zwanzig sein | Willy Schneider | D♭ Major | 3 | 3B | 79 BPM | ||
Ja, für eine Fahrt ans Mittelmeer | Friedel Hensch & Die Cyprys | F Major | 6 | 7B | 185 BPM | ||
Wir Machen Musik | Ilse Werner | B♭ Major | 4 | 6B | 126 BPM | ||
Das Nachtlager in Granada: Act I Scene 8: Recitative and Romance: Nun, liebes Madchen - Wer klagt am Gitterfenster (A Huntsman, Gabriele, Chorus of Shepherds) | Conradin Kreutzer, Hermann Prey, Regina Klepper, Michael Pabst, Wolf Matthias Friedrich, Cornelius Hauptmann, Martin Blasius, Cologne Radio Chorus, Cologne Radio Orchestra, Helmut Froschauer | D♭ Minor | 1 | 12A | 76 BPM | ||
In einer kleinen Konditorei | Fred Raymond, Heinz Maria Lins | E♭ Major | 3 | 5B | 115 BPM | ||
Patricia | Jörg Maria Berg | B♭ Major | 6 | 6B | 67 BPM | ||
Ein Herz, das kann man nicht kaufen | Margot Eskens | D♭ Major | 4 | 3B | 202 BPM | ||
Die lustigen Nibelungen: Act II: Duet: Jetzt, wo die Nacht zur sussen Ruhe ladet … (Kriemhild, Siegfried) | Oscar Straus, Martin Gantner, Daphne Evangelatos, Gerd Grochowski, Heinz Heidbüchel, Gabriele Henkel, Lisa Griffith, Josef Otten, Michael Nowak, Gudrun Volkert, Christine Mann, Cologne Radio Chorus, Cologne Radio Orchestra, Siegfried Köhler | F Minor | 2 | 4A | 90 BPM | ||
Simon Boccanegra: Prologue: Il lacerato spirito | Giuseppe Verdi, Franz Hawlata, Cologne Radio Orchestra, Helmuth Froschauer | F♯ Major | 1 | 2B | 69 BPM | ||
Wiener Blut (operetta): Einleitung - Wiener Blut | Johann Strauss II, Sandor Konya, Herta Talmar, Willy Hofmann, Chor, Kölner Rundfunkorchester, Franz Marszalek | C Major | 3 | 8B | 140 BPM |