Wolfgang Amadeus Mozart, Carol Vaness, Frank Lopardo, Riccardo Muti, Samuel Ramey, Wiener Philharmoniker, William Shimell made "Don Giovanni, K. 527, Act I Scene 5: Venite pur avanti (Leporello, Don Giovanni, Donna Elvira, Don Ottavio)" available on October 11, 1991. With Don Giovanni, K. 527, Act I Scene 5: Venite pur avanti (Leporello, Don Giovanni, Donna Elvira, Don Ottavio) being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 35 out of 70 in Don Giovanni by Wolfgang Amadeus Mozart, Wiener Philharmoniker, Riccardo Muti. In terms of popularity, Don Giovanni, K. 527, Act I Scene 5: Venite pur avanti (Leporello, Don Giovanni, Donna Elvira, Don Ottavio) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Don Giovanni, K. 527, Act I Scene 5: Venite pur avanti (Leporello, Don Giovanni, Donna Elvira, Don Ottavio) by Wolfgang Amadeus Mozart, Carol Vaness, Frank Lopardo, Riccardo Muti, Samuel Ramey, Wiener Philharmoniker, William Shimell is Andante (at a walking pace), since this song has a tempo of 101 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | ||
String Quartet No. 14 in G Major, K. 387: III. Andante cantabile | Eder Quartet | C Major | 0 | 8B | 65 BPM | ||
A:4 Solfeggietto in C minor, Wq. 117/2 | Carl Philipp Emanuel Bach, C. P. E. Bach, Dinara Klinton | F Minor | 2 | 4A | 122 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Sinfonia Concertante in E-Flat Major, K. 364: 1. Allegro maestoso - Live | Wolfgang Amadeus Mozart, Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta | E♭ Major | 1 | 5B | 124 BPM | ||
Sonata in E Major, K. 380 | Domenico Scarlatti, Khatia Buniatishvili | B Major | 0 | 1B | 84 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM |